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    • MSWL for 2023

      Posted at 10:45 am by Laura, on December 30, 2022

      Also known as
      What I’d Like to See in my Agent Inbox in 2023

      In general, my manuscript wish list stays the same no matter the season or year! But for 2023, I’m really hoping to see these kinds of projects in particular appear in my inbox. Similar to the priorities of past years (2021, 2022) but with an emphasis on joyful and uplifting stories (especially with contemporary narratives), sweeping epic fantasies (particularly non-Euro), and uncharted historical.

      As I mentioned in a post, the industry is slammed and publishers are being even more selective, making it even harder for debuts. So I need to be extra picky as well––and I’m hopeful this post helps provide insight to my wishlist!

      Keep in mind, a manuscript is more than a recipe combining themes of Book A, characters like those found in Book B, with a plot like Book C. It’s in the essence of the writing, the make-up of the narrative, the style of the voice––that’s what captures attention. A really great manuscript infuses the tone, atmosphere, and emotion into every word, applying careful attention to detail to evoke a sensation from the page to the reader’s mind. That’s what agents are looking for. We’re enticed by your recipe and hope to be moved by the outcome. So while I am pointing out published books that accomplished elements of what I love and what I’m seeking, I’m also pointing out books that most accurately display the essence of what I’m looking for.

      ~~~

      ADULT FICTION

      Fantasy || I adore fantasy inspired by historical events, cultures, folklore, and fairytales. More often than not, these fantasies tend to be set in secondary worlds, where magic may or may not exist, but the feel of the novel is certainly magical. My absolute favorites are The City of Brass (Islamic- and Arabic-inspired, set in 18th-c outside Cairo), Uprooted and Spinning Silver (Eastern European and Jewish fairytale retellings), The Wolf of Oren-Yaro (Filipino-inspired culture), A River Enchanted (Scottish mythology) and Daughter of the Forest (Irish Celtic mythology). Award-winning author and client Tasha Suri‘s Empire of Sand, Realm of Ash, and The Jasmine Throne are inspired by Indian history and mythology, and Malice by Heather Walter spins a fairytale completely on its head. These books have lush writing and beautiful characterizations, which is what I’m most drawn to in these fantasies. I also enjoy in-depth world-building and unique perspectives (literally everything about The Invisible Life of Addie LaRue and A Darker Shade of Magic), have thoroughly enjoyed dragon stories (Priory of the Orange Tree and His Majesty’s Dragon), am seeking more previously-established-relationships among ensemble casts with one POV (a la Kings of the Wyld), and I want to find my own Queen of Blood, Bone Ships, or The Wolf and the Whale.

      Pie-in-the-sky manuscript: What every single book mentioned above accomplishes is the ability to take a creature, character, or tradition from a culture, tale, or faith and make it entirely new, unique, fresh. I want to see golems, djinn, wendigos, vetalas, almasties––I’m tired of the typical werewolf/vampire/angel/fairy. Give me something rarely covered in Western literature. Give me depth to the world and the characters. I don’t need heists and sword fights and action-action-action to propel my reading. I would especially love to see this from marginalized and underrepresented voices.

      Historical Fantasy || Though a branch off fantasy (“low fantasy”), this category is for all those books that have a hint of magic within the historical narrative. Not necessarily magical realism––but a tiny little something sparks that energy and spins into the fantastical. Babel is a stunning examination of colonialism, imperialism, racism, and translation,  In Another Time explores wormholes in WWII, The Familiars leaves you wondering if she really was a witch, The Winter Witch adds an element of intrigue on a quiet Welsh farm, Outlander has a hint of time travel but is otherwise historical, and A Secret History of Witches explores generations of women in one family and the impact their magic has on the community. I would love to see more gothic-, religiously-, politically-infused historical fantasies like The Book of Gothel, The Once and Future Witches, and The Year of the Witching––I would fall over to represent something like that! Basically if it involves witches, a hint of magic, and the ways in which a community unravels, I’m down.

      Pie-in-the-sky: A fresh and unique spin on historical events that then asks, “what if…?” What if witches were real during XYZ historical event? What if witches were behind A? What if magic was the cause of B? What if someone with XYZ abilities could’ve changed the outcome to C? What if magic/witches were the root of religion? Take the idea and run with it.

      Women’s Fiction || I adore women’s fiction that is about the average woman doing average things, experiencing the difficulties of everyday life, and growing from it — such as Eleanor Oliphant is Completely Fine, A Window Opens, Leave Me, Goodbye, Paris, The Brilliant Life of Eudora Honeysett, and The City Baker’s Guide to Country Living. On the flip-side, I love chick-lit/romcom — humorous women’s fiction that’s appealing to a millennial audience, about young women in the workplace and the silly things that happen in their life. My absolute favorite is Sophie Kinsella, along with Don’t You Forget About Me, The Friend Zone, Ayesha at Last, The Matzah Ball, A Holly Jolly Diwali, and The Flatshare. Romance is not a primary draw for me, but it doesn’t turn me off to the story, either!

      Pie-in-the-sky: I’ve found I’m drawn to two particular sorts of protagonists and life journeys in women’s fiction. The first is the character that thinks they’re content when actually they’re lonely. Though these characters are typically older or curmudgeonly––and that’s okay––a kind and young character can experience this too. I’m drawn to the ways in which another character/event challenges them to break routine. The second is the character that has something preventing them from moving forward in life––grief, finances, a relationship––and the snowball effect that has throughout the narrative. I want to read something joyful and uplifting, with levity and humor throughout.

      Historical Fiction || I love all sorts of historical fiction, especially when it branches off little-known aspects of history, or it takes on a fresh new look at popular historical events (WWI and WWII, for example, are incredibly common on the shelves, but it’s how the story is told or the unique perspective the story is told through that brings them to the shelves). For example, my favorite historical fiction includes Shadow on the Crown (Emma of Normandy and early British history), The Alice Network (WWI/WWII parallel narrative shining light on female spy networks), The Romanov Empress (about Tsarina Maria Feodorovna, wife of Alexander III and mother of Nicholas II), and Dear Mrs. Bird (WWII advice columnist/slice-of-life narrative). I would love to see some more light shed on impressive women in history and the things they accomplished despite society’s limitations (STEM, feminism, code-breaking, politics/reigns, first female to ___), like client Clarissa Harwood‘s Impossible Saints. In 2021, my favorite books included The Book of Longings, Hamnet, and The Giver of Stars. Admittedly, I’m most familiar with European (specifically English) history, but I’m open to reading anything as long as the premise is compelling and the writing style is relatable to a modern audience.

      Pie-in-the-sky: Lately I’ve been craving Gilded Age/turn-of-the-century narratives, particularly in the ways American wealth supported British aristocracy. I also want to read about women we know (Wu Zetian, Elizabeth Bathory, Mette Magrete Tvistman), women behind great men in history, and women being the first in smaller [and oftentimes fictional] ways––like the first to run her family’s Victorian shop, with Sarah Waters vibes, for example.

      Contemporary/Historical Parallel Narratives in Fiction || There are great ways to introduce parallel narratives in historical and contemporary women’s fiction. Some of my favorites include anything pertaining to archivists, curators, scribes, researchers, and academics. Sometimes the parallel narrative is in the form of epistolary fiction –– artifacts and documents the curator, archivist, or researcher in the modern day stumbles across that takes us into the historical narrative literally (like The Weight of Ink, Possession, The Lost Apothecary) or figuratively (Meet Me at the Museum). I especially adore fiction that follows said curator, archivist, and academic on their journey, like The Clockmaker’s Daughter. I’m open to two historical narratives (Letters from Skye) as well as one historical and one contemporary, just as long as both narratives are tied in some way while still having two separate, compelling journeys.

      YOUNG ADULT FICTION

      Fantasy & Historical Fantasy || The YA world is difficult to break into, especially in fantasy. But I’m such a sucker for YA fantasy — I love all the worlds and ideas and originality that floods the market. That’s the issue at stake, though: it needs to be original. So while I love fairytale retellings, they need to be proper retellings, with twists and turns and (for goodness’s sake) new names––just like my clients Lisa DeSelm’s The Puppetmaster’s Apprentice and Chloe Gong’s These Violent Delights. I love culturally-influenced or mythology-inspired stories (like Six Crimson Cranes and Don’t Call the Wolf), as well as historically-inspired fantasies and elemental magic narratives like Shielded by KayLynn Flanders. If you have a YA fantasy, send it my way, especially if they fit into any of the above criteria.

      Pie-in-the-sky: (As stated in the adult fiction section, since it applies here too) What every single book mentioned above accomplishes is the ability to take a creature, character, or tradition from a culture, tale, or faith and make it entirely new, unique, fresh. I want to see golems, djinn, wendigos, vetalas, almasties––I’m tired of the typical werewolf/vampire/angel/fairy. Give me something rarely covered in Western literature. Give me depth to the world and the characters. I don’t need heists and sword fights and action-action-action to propel my reading. They’re entertaining, but I’m here for the meat of the story, not the garnish. I would especially love to see this from marginalized and underrepresented voices.

      Contemporary Fiction || It is all about the voice for me when it comes to YA contemporary. When I read YA contemporary, I need to feel like I’m talking to my high school best friend. Teen readers can spot inauthenticity in a heartbeat, and you want to make sure you have their desires and heartbreaks in the voice of your protagonist. You’re not an adult trying to be a teen — you are a teen. That said, I am seeking fantastic rom-coms like When Dimple Met Rishi (technology camps!), Royals (royals’ sidekicks fall in love!) and Anna and the French Kiss (study abroad programs!), badass heroines like Dumplin’ (fighting against stereotypes!), and great family and friendship dynamics like Emma Mills, Morgan Matson, and Jenny Han. Perfect examples of this are my own clients Jared Reck (A Short History of the Girl Next Door) and Nina Moreno (Don’t Date Rosa Santos). I’d love to see more characters with fun and interesting jobs and unique hobbies (A Pho Love Story and Happily Ever Afters). I tend to lean on the lighter side of things, with hope at the end of the tunnel. I do like tear-jerkers, but I want that spark of hope and inspiration at the end. This year especially, I want to see more joy and uplifting reads!

      Historical || Historical fiction is very hard to break into in YA. Sometimes it needs to have magical elements, sometimes it needs to be an era that readers are familiar with. Look to your own city, look to the history books, look to your family history, and see what seemingly small event had a large impact for that area. A Prisoner of Night and Fog is set in Germany in the 1930s, not quite WWII but through the perspective of someone in the middle of the frightening changes in the country; Outrun the Moon is set during the San Francisco earthquake, and how race and economic status barriers fell in a state of emergency; A Madness So Discreet is set across America in the 1800s, battling patriarchy and standing up for those unlawfully sentenced to mental institutions; The Forbidden Orchid is set in Asia as a Victorian girl hunts down her father, a man in the middle of a race to find a perfect, rare orchid; The Bird and the Blade, though partially based on a folk tale, is inspired by historical events during the Mongol Empire and the Great Khan’s reign of power. There are so many more — but great YA historical fiction requires an intriguing and original premise, a general accessibility, and bringing the past to life for a modern audience. I would love to see historical fiction set outside the US and Western Europe!

      ~~~

      For a final once-over, feel free to read my Manuscript Wishlist post, follow submission guidelines, read up on Publishers Marketplace deals, check out my clients page and book deals records, and catch up on this blog once in a while to read my thoughts and reviews of published works. Every little bit helps to getting representation! Oh, and as a reminder:

      ALWAYS seeking: diversity. Race, ethnicity, gender identity, sexual orientation, ability, mentality, health, economic status, religious affiliation, all of it. I want my clients’ projects to reflect the beautiful diversity of the world, I want to see and share with others life through another’s eyes, I want to see these differences expressed through art and creation and culture, to show that these books need to be on bookshelves. So yes, there is no question to it: I want diversity.

      ALWAYS open to queries: even during times of the year when publishing seems extra busy, or extra slow, or I’m on vacation or traveling — I am open to queries. I’ve never closed queries in the eight years I’ve been an agent. I read every single query. It’s unfair to you as the writer to try to keep track of all the agents who are opened or closed, and (selfishly) it’s unfair to me to be closed when something truly remarkable could have been in my inbox for me to represent. With that said, if I’m busy or traveling or on vacation, I’ll have an away message up with clear, simple instructions about what will happen with your query in the time I’m away. I do not close to queries.

      NEVER seeking: anything set in space, anything set in the future, thrillers and suspense (psychological, military, legal, political, or otherwise), Greek or Roman-inspired narratives (I’m sorry, I’m just not into it), all nonfiction (poems, essays, memoirs, how-tos, everything nonfiction), scripts or screenplays, short story collections, picture books, chapter books, paranormal romance, smut, erotica. If your project uses any of these descriptors, it’s an automatic no. I’m not the agent for any of these projects, so please do not send them to me.

      ~~~

      I hope this is helpful! I’m looking forward to receiving great manuscripts in 2023!

      Posted in agenting | 0 Comments | Tagged agenting, personal
    • MSWL for 2022

      Posted at 11:16 am by Laura, on December 29, 2021

      Also known as
      What I’d Like to See in my Agent Inbox in 2022

      In general, my manuscript wish list stays the same no matter the season or year! But for 2022, I’m really hoping to see these kinds of projects in particular appear in my inbox. Similar to 2018, 2019, 2020, and 2021, but with an emphasis on joyful and uplifting stories, especially with contemporary narratives.

      As I mentioned in a recent post, the industry is slammed and publishers are being even more selective, making it even harder for debuts. So I’m being extra picky as well––and I’m hopeful this post helps provide insight to my wishlist!

      Keep in mind, a manuscript is more than a recipe combining themes of Book A, characters like those found in Book B, with a plot like Book C. It’s in the essence of the writing, the make-up of the narrative, the style of the voice––that’s what captures attention. A really great manuscript infuses the tone, atmosphere, and emotion into every word, applying careful attention to detail to evoke a sensation from the page to the reader’s mind. That’s what agents are looking for. We’re enticed by your recipe and hope to be moved by the outcome. So while I am pointing out published books that accomplished elements of what I love and what I’m seeking, I’m also pointing out books that most accurately display the essence of what I’m looking for.

      ~~~

      ADULT FICTION

      Fantasy || I adore fantasy inspired by historical events, cultures, folklore, and fairytales. More often than not, these fantasies tend to be set in secondary worlds, where magic may or may not exist, but the feel of the novel is certainly magical. My absolute favorites are The City of Brass (Islamic- and Arabic-inspired, set in 18th-c outside Cairo), Uprooted and Spinning Silver (Eastern European and Jewish fairytale retellings), The Wolf of Oren-Yaro (Filipino-inspired culture), and Daughter of the Forest (Irish Celtic mythology). Award-winning author and client Tasha Suri‘s Empire of Sand, Realm of Ash, and The Jasmine Throne are inspired by Indian history and mythology, and Malice by Heather Walter spins a fairytale completely on its head. These books have lush writing and beautiful characterizations, which is what I’m most drawn to in these fantasies. I also enjoy in-depth world-building and unique perspectives (literally everything about A Darker Shade of Magic), have thoroughly enjoyed dragon stories (Priory of the Orange Tree and His Majesty’s Dragon), am seeking more previously-established-relationships among ensemble casts with one POV (a la Kings of the Wyld), and I want to find my own Queen of Blood, Bone Ships, or The Wolf and the Whale.

      Pie-in-the-sky manuscript: What every single book mentioned above accomplishes is the ability to take a creature, character, or tradition from a culture, tale, or faith and make it entirely new, unique, fresh. I want to see golems, djinn, wendigos, vetalas, almasties––I’m tired of the typical werewolf/vampire/angel/fairy. Give me something rarely covered in Western literature. Give me depth to the world and the characters. I don’t need heists and sword fights and action-action-action to propel my reading. I would especially love to see this from marginalized and underrepresented voices.

      Historical Fantasy || Though a branch off fantasy (“low fantasy”), this category is for all those books that have a hint of magic within the historical narrative. Not necessarily magical realism––but a tiny little something sparks that energy and spins into the fantastical. In Another Time explores wormholes in WWII, The Familiars leaves you wondering if she really was a witch, The Winter Witch adds an element of intrigue on a quiet Welsh farm, Outlander has a hint of time travel but is otherwise historical, and A Secret History of Witches explores generations of women in one family and the impact their magic has on the community. I would love to see more gothic-, religiously-, politically-infused historical fantasies like The Once and Future Witches and The Year of the Witching––I would fall over to represent something like that! Basically if it involves witches, a hint of magic, and the ways in which a community unravels, I’m down.

      Pie-in-the-sky: A fresh and unique spin on historical events that then asks, “what if…?” What if witches were real during XYZ historical event? What if witches were behind A? What if magic was the cause of B? What if someone with XYZ abilities could’ve changed the outcome to C? What if magic/witches were the root of religion? Take the idea and run with it.

      Women’s Fiction || I adore women’s fiction that is about the average woman doing average things, experiencing the difficulties of everyday life, and growing from it — such as Eleanor Oliphant is Completely Fine, A Window Opens, Leave Me, Goodbye, Paris, The Brilliant Life of Eudora Honeysett, and The City Baker’s Guide to Country Living. On the flip-side, I love chick-lit/romcom — humorous women’s fiction that’s appealing to a millennial audience, about young women in the workplace and the silly things that happen in their life. My absolute favorite is Sophie Kinsella, along with Don’t You Forget About Me, The Friend Zone, Ayesha at Last, The Matzah Ball, A Holly Jolly Diwali, and The Flatshare. Romance is not a primary draw for me, but it doesn’t turn me off to the story, either!

      Pie-in-the-sky: I’ve found I’m drawn to two particular sorts of protagonists and life journeys in women’s fiction. The first is the character that thinks they’re content when actually they’re lonely. Though these characters are typically older or curmudgeonly––and that’s okay––a kind and young character can experience this too. I’m drawn to the ways in which another character/event challenges them to break routine. The second is the character that has something preventing them from moving forward in life––grief, finances, a relationship––and the snowball effect that has throughout the narrative. I want to read something joyful and uplifting, with levity and humor throughout.

      Historical Fiction || I love all sorts of historical fiction, especially when it branches off little-known aspects of history, or it takes on a fresh new look at popular historical events (WWI and WWII, for example, are incredibly common on the shelves, but it’s how the story is told or the unique perspective the story is told through that brings them to the shelves). For example, my favorite historical fiction includes Shadow on the Crown (Emma of Normandy and early British history), The Alice Network (WWI/WWII parallel narrative shining light on female spy networks), The Romanov Empress (about Tsarina Maria Feodorovna, wife of Alexander III and mother of Nicholas II), and Dear Mrs. Bird (WWII advice columnist/slice-of-life narrative). I would love to see some more light shed on impressive women in history and the things they accomplished despite society’s limitations (STEM, feminism, code-breaking, politics/reigns, first female to ___), like client Clarissa Harwood‘s Impossible Saints. In 2021, my favorite books included The Book of Longings, Hamnet, and The Giver of Stars. Admittedly, I’m most familiar with European (specifically English) history, but I’m open to reading anything as long as the premise is compelling and the writing style is relatable to a modern audience.

      Pie-in-the-sky: Lately I’ve been craving Gilded Age/turn-of-the-century narratives, particularly in the ways American wealth supported British aristocracy. I also want to read about women we know (Wu Zetian, Elizabeth Bathory, Mette Magrete Tvistman), women behind great men in history, and women being the first in smaller [and oftentimes fictional] ways––like the first to run her family’s Victorian shop, with Sarah Waters vibes, for example.

      Contemporary/Historical Parallel Narratives in Fiction || There are great ways to introduce parallel narratives in historical and contemporary women’s fiction. Some of my favorites include anything pertaining to archivists, curators, scribes, researchers, and academics. Sometimes the parallel narrative is in the form of epistolary fiction –– artifacts and documents the curator, archivist, or researcher in the modern day stumbles across that takes us into the historical narrative literally (like The Weight of Ink, Possession, The Lost Apothecary) or figuratively (Meet Me at the Museum). I especially adore fiction that follows said curator, archivist, and academic on their journey, like The Clockmaker’s Daughter. I’m open to two historical narratives (Letters from Skye) as well as one historical and one contemporary, just as long as both narratives are tied in some way while still having two separate, compelling journeys.

      YOUNG ADULT FICTION

      Fantasy & Historical Fantasy || The YA world is difficult to break into, especially in fantasy. But I’m such a sucker for YA fantasy — I love all the worlds and ideas and originality that floods the market. That’s the issue at stake, though: it needs to be original. So while I love fairytale retellings, they need to be proper retellings, with twists and turns and (for goodness’s sake) new names––just like my clients Lisa DeSelm’s The Puppetmaster’s Apprentice and Chloe Gong’s These Violent Delights. I love culturally-influenced or mythology-inspired stories (like Six Crimson Cranes and Don’t Call the Wolf), but I’m not interested in Greek or Roman mythology whatsoever. (Never have been.) I love historically-inspired fantasies, too, such as Walk on Earth a Stranger. That said, I’m very much into elemental magic — when magic is innate, a part of the world, or part of the world’s faith/mythology — over all other kinds of fantasies, like Shielded by my client KayLynn Flanders. Think Star-Touched Queen, Shadowfell, Sorcery of Thorns, and Hunted. If you have a YA fantasy, send it my way, especially if they fit into any of the above criteria.

      Pie-in-the-sky: (As stated in the adult fiction section, since it applies here too) What every single book mentioned above accomplishes is the ability to take a creature, character, or tradition from a culture, tale, or faith and make it entirely new, unique, fresh. I want to see golems, djinn, wendigos, vetalas, almasties––I’m tired of the typical werewolf/vampire/angel/fairy. Give me something rarely covered in Western literature. Give me depth to the world and the characters. I don’t need heists and sword fights and action-action-action to propel my reading. They’re entertaining, but I’m here for the meat of the story, not the garnish. I would especially love to see this from marginalized and underrepresented voices.

      Contemporary Fiction || It is all about the voice for me when it comes to YA contemporary. When I read YA contemporary, I need to feel like I’m talking to my high school best friend. Teen readers can spot inauthenticity in a heartbeat, and you want to make sure you have their desires and heartbreaks in the voice of your protagonist. You’re not an adult trying to be a teen — you are a teen. That said, I am seeking fantastic rom-coms like When Dimple Met Rishi (technology camps!), Royals (royals’ sidekicks fall in love!) and Anna and the French Kiss (study abroad programs!), badass heroines like Dumplin’ (fighting against stereotypes!), and great family and friendship dynamics like Emma Mills, Morgan Matson, and Jenny Han. Perfect examples of this are my own clients Jared Reck (A Short History of the Girl Next Door) and Nina Moreno (Don’t Date Rosa Santos). I’d love to see more characters with fun and interesting jobs and unique hobbies (A Pho Love Story and Happily Ever Afters). I tend to lean on the lighter side of things, with hope at the end of the tunnel. I do like tear-jerkers, but I want that spark of hope and inspiration at the end. This year especially, I want to see more joy and uplifting reads!

      Historical || Historical fiction is very hard to break into in YA. Sometimes it needs to have magical elements, sometimes it needs to be an era that readers are familiar with. Look to your own city, look to the history books, look to your family history, and see what seemingly small event had a large impact for that area. A Prisoner of Night and Fog is set in Germany in the 1930s, not quite WWII but through the perspective of someone in the middle of the frightening changes in the country; Outrun the Moon is set during the San Francisco earthquake, and how race and economic status barriers fell in a state of emergency; A Madness So Discreet is set across America in the 1800s, battling patriarchy and standing up for those unlawfully sentenced to mental institutions; The Forbidden Orchid is set in Asia as a Victorian girl hunts down her father, a man in the middle of a race to find a perfect, rare orchid; The Bird and the Blade, though partially based on a folk tale, is inspired by historical events during the Mongol Empire and the Great Khan’s reign of power. There are so many more — but great YA historical fiction requires an intriguing and original premise, a general accessibility, and bringing the past to life. I would love to see historical fiction set outside the US and Western Europe!

      ~~~

      For a final once-over, feel free to read my Manuscript Wishlist post, follow submission guidelines, read up on Publishers Marketplace deals, check out my clients page and book deals records, and catch up on this blog once in a while to read my thoughts and reviews of published works. Every little bit helps to getting representation! Oh, and as a reminder:

      ALWAYS seeking: diversity. Race, ethnicity, gender identity, sexual orientation, ability, mentality, health, economic status, religious affiliation, all of it. The obvious shouldn’t need to be said — that I want my projects to reflect the beautiful diversity of the world, that I want to see and share with others life through another’s eyes, that I want to see these differences expressed through art and creation and culture, that these books need to be on bookshelves — but that’s the state of things. So yes, there is no question to it: I want diversity.

      ALWAYS open to queries: even during times of the year when publishing seems extra busy, or extra slow, or I’m on vacation or traveling — I am open to queries. I never close. I read every single query. It’s unfair to you as the writer to try to keep track of all the agents who are opened or closed, and (selfishly) it’s unfair to me to be closed when something truly remarkable could have been in my inbox for me to represent. SO! With that said, if I’m busy or traveling or on vacation, I’ll have an away message up with clear, simple instructions about what will happen with your query in the time I’m away. I am never closed to queries.

      NEVER seeking: anything set in space, anything set in the future, thrillers and suspense (psychological, military, legal, political, or otherwise), Greek or Roman-inspired narratives (I’m sorry, I’m just not into it), all nonfiction (poems, essays, memoirs, how-tos, everything nonfiction), scripts or screenplays, paranormal romance, erotica. If your project uses any of these concepts to describe it, it’s an automatic no. I’m not the agent for any of these projects, so please do not send them to me.

      ~~~

      I hope this is helpful! I’m looking forward to receiving great manuscripts and selling lots in 2022!

      Posted in agenting | 0 Comments | Tagged agenting, personal
    • If We Were Having Coffee…*

      Posted at 4:32 pm by Laura, on November 23, 2021

      *Titled as such even though I prefer tea because saying “if we were having tea” sounds so high brow for a Midwestern American. Though it’s been so long since I’ve done this, I suppose it should say, “if we were having tea/coffee/cocoa over Zoom” *laughs* *weeps*

      Hello! I haven’t done this in a while. Not since January 2020, apparently. I also haven’t really been on this blog much either. So I thought, why not take a few minutes during this rare lull at work and just…give you a little update?

      If we were having coffee…I’d take a moment to complain about this new WordPress editing/posting/whatever-this-is set-up. Why can’t I go back to Classic Editor? What’s with all this fancy new block stuff? Clearly I’ve been away for too long. Oops. I’m sorry. (But seriously though, what gives?! *is old*)

      If we were having coffee…we would no doubt cover the pandemic topics and get them out of the way. Yes, I’m vaccinated, and I’m getting a booster on Sunday (yay!). Yes, I’m still wearing masks indoors. Yes, we had to reschedule our honeymoon for a third time and gosh darn it we’re going on it in spring 2022 and LIVING IT UP. YOLO. And our cat Rossetti’s loving all this 24/7-with-humans time she’s getting. Honestly the biggest hit for me––for us, really––was not being able to sing in choir in 2020. It’s been great to be back with them since August 2021, making music again safely. (For any other singers out there, this is the mask we wear for rehearsals, services, and concerts. Highly recommend.)

      If we were having coffee…I’d tell you about how wild this year has been, how unpredictable and odd and just…weird, in publishing! So I’ll do my best to explain it in non-pub-lingo and in as much of a nutshell as possible. 2020 was a lot, to say the least, but that exhaustion didn’t let up once the calendar changed. January 2021 hit, and agent inboxes flooded. FLOODED. So many writers with projects finished during 2020, including our own clients’ projects. And it didn’t let up. Now on the other side of the business, editors were also getting bombarded more than usual with these submissions from agents, on top of the usual workload editors are required to do. And then toss in printing and shipping and the bottleneck of supply chains across multiple industries, publicity and marketing teams pivoting monthly (weekly!) to changed dates and moved productions––it boggles the mind. Mix all of that overflowing digital paper, schedules, chains, and personal lives in a pot, and it’s boiling over.

      To say everyone was swamped this year is an extreme understatement. I’ve never had so many client projects out on submission at once, nor for so long––I’ve had to cross-reference the tabs of my spreadsheet to make sure I’m not overburdening some poor soul with more than one of my submissions (MAJOR APOLOGIES TO THE EXCEPTIONS *sobs, hugs*). I’ve also never been so behind* in my own requests folder. I took pride in reading fulls in a month, but as my client list grew and as the queries in my inbox became stronger (seriously, you guys, the querying writers are really hitting the mark lately and I have to be even more discerning! As a client once said to me, it’s a “champagne problem” for sure!), I’ve started averaging 3-4 months in my response time for request manuscripts. I don’t like taking so long, but my goodness. It’s been nuts. 2021 has been a true exercise of patience, grace, and empathy…and extreme gratitude for the success stories, too, of course! Phew!

      [*”so behind” LOL, look, I hear stories of agents getting back after a year (or two (or three!)), and it’s definitely not that. More like…six months max, but I still feel ashamed of it.]

      I wish I had the answers. I wish I knew when things would let up. But I feel exhausted too. And if I’m feeling it at an agency, I know my colleagues in publishing houses are feeling it 10x more.

      Deep breaths.

      If we were having coffee…I’d tell you about all the TV shows and movies I’ve seen, rather than the books I’ve read XD Partly because I’ve been watching a lot on so many streaming platforms, partly because I don’t want to talk about how ashamed I feel (there it is again, shame, the guilt and sadness!) that I haven’t read as much for fun as I’d like! I’m showing up to my two book clubs saying things like “Sorry, didn’t finish, so I’ll just stay muted and listen!” or “I read 40 pages but wasn’t into it,” or “WOW OMG YOU GUYS I READ IT!” For reference, the post on here about books I read in the first half of 2021 is basically all I’ve read…I’ve finished maybe two books since that post, so yeah, for fun reading is very slow-going. But streaming!! Watching a lot over there! Vikings, Peaky Blinders, Brooklyn 99, Marvelous Mrs Maisel, Dr Oakley: Yukon Vet, all the Marvel stuff (omgggg WandaVision!), all the latest GBBO duh, Watchmen, The Great, Master Chef: Junior, All Creatures Great & Small, Westworld, rewatching Band of Brothers, New Girl, Friends, and Gilmore Girls too…I’m probably forgetting some but those are the big ones. What have you been reading and watching?

      ~~~

      All that ^ said, I’ve just started reading Empire of Gold (finally brave enough to close out the trilogy), I feel hopeful for and confident in my clients and their hard work and perseverance, and I remain optimistic for a bright future ahead. This is a massive, massive pothole in the road, yes. But I’m immensely grateful and thankful for my job and doing what I love. I want nothing but the best for you and yours, too. May the rest of this year and the holiday season be full of light and wonder, and may 2022 be full of blessings!

      Posted in Update Post | 3 Comments | Tagged if we were having coffee, personal
    • MSWL for 2021

      Posted at 12:15 pm by Laura, on January 1, 2021

      Also known as
      What I’d Like to See in my Agent Inbox in 2021

      In general, my manuscript wish list stays the same no matter the season or year! But for 2021, I’m really hoping to see these kinds of projects in particular appear in my inbox. Similar to 2018, 2019, and 2020, but with some adjustments and additions (pie-in-the-sky dream projects).

      Keep in mind, a manuscript is more than a recipe combining themes of Book A, characters like those found in Book B, with a plot like Book C. It’s in the essence of the writing, the make-up of the narrative, the style of the voice––that’s what captures attention. A really great manuscript infuses the tone, atmosphere, and emotion into every word, applying careful attention to detail to evoke a sensation from the page to the reader’s mind. That’s what agents are looking for. We’re enticed by your recipe and hope to be moved by the outcome. So while I am pointing out published books that accomplished elements of what I love and what I’m seeking, I’m also pointing out books that most accurately display the essence of what I’m looking for.

      ~~~

      ADULT FICTION

      Fantasy || I adore fantasy inspired by historical events, cultures, folklore, and fairytales. More often than not, these fantasies tend to be set in secondary worlds, where magic may or may not exist, but the feel of the novel is certainly magical. My absolute favorites are The City of Brass (Islamic- and Arabic-inspired, set in 18th-c outside Cairo), Uprooted and Spinning Silver (Eastern European and Jewish fairytale retellings), The Wolf of Oren-Yaro (Filipino-inspired culture), and Daughter of the Forest (Irish Celtic mythology). Award-winning author and client Tasha Suri‘s Empire of Sand and Realm of Ash are based on 15th-c Mughal-Indian mythology, and upcoming Malice by Heather Walter spins a fairytale completely on its head. Each of these books have lush writing and beautiful characterizations, which is what I’m most drawn to in these fantasies. I also enjoy in-depth world-building and unique perspectives (literally everything about A Darker Shade of Magic), have thoroughly enjoyed dragon stories (Priory of the Orange Tree and His Majesty’s Dragon), am seeking more previously-established ensemble casts with one POV (a la Kings of the Wyld), and I want to find my own Queen of Blood, Bone Ships, or The Wolf and the Whale.

      Pie-in-the-sky manuscript: What every single book mentioned above accomplishes is the ability to take a creature, character, or tradition from a culture, tale, or faith and make it entirely new, unique, fresh. I want to see golems, djinn, wendigos, vetalas, almasties––I’m tired of the typical werewolf/vampire/angel/fairy. Give me something rarely covered in Western literature. Give me depth to the world and the characters. I don’t need heists and sword fights and action-action-action to propel my reading.

      Historical Fantasy || Though a branch off fantasy (“low fantasy”), this category is for all those books that have a hint of magic within the historical narrative. Not necessarily magical realism––but a tiny little something sparks that energy and spins into the fantastical. In Another Time explores wormholes in WWII, The Familiars leaves you wondering if she really was a witch, The Winter Witch adds an element of intrigue in a quiet Welsh farm, Outlander has a hint of time travel but is otherwise historical, and A Secret History of Witches explores generations of women in one family and the impact their magic has on the community. My favorite books in 2020 included The Once and Future Witches and The Year of the Witching, and I would fall over to represent something like that! Basically if it involves witches, a hint of magic, and the ways in which a community unravels, I’m down.

      Pie-in-the-sky: A fresh and unique spin on historical events that then asks, “what if…?” What if witches were real during XYZ historical event? What if witches were behind A? What if magic was the cause of B? What if someone with XYZ abilities could’ve changed the outcome to C? What if magic/witches were the root of religion? Take the idea and run with it.

      Women’s Fiction || I adore women’s fiction that is about the average woman doing average things, experiencing the difficulties of everyday life, and growing from it — such as Eleanor Oliphant is Completely Fine, A Window Opens, Leave Me, Goodbye, Paris, and The City Baker’s Guide to Country Living. On the flip-side, I love chick-lit — humorous women’s fiction that’s appealing to a millennial audience, about young women in the workplace and the silly things that happen in their life. My absolute favorite is Sophie Kinsella, along with Don’t You Forget About Me, The Friend Zone, Ayesha at Last, and The Flatshare. Romance is not a primary draw for me, but it doesn’t turn me off to the story, either!

      Pie-in-the-sky: I’ve found I’m drawn to two particular sorts of protagonists and life journeys in women’s fiction. The first is the character that thinks they’re content when actually they’re lonely. Though these characters are typically older or curmudgeonly––and that’s okay––a kind and young character can experience this too. I’m drawn to the ways in which another character/event challenges them to break routine. The second is the character that has something preventing them from moving forward in life––grief, finances, a relationship––and the snowball effect that has throughout the narrative.

      Historical Fiction || I love all sorts of historical fiction, especially when it branches off little-known aspects of history, or it takes on a fresh new look at popular historical events (WWI and WWII, for example, are incredibly common on the shelves, but it’s how the story is told or the unique perspective the story is told through that brings them to the shelves). For example, my favorite historical fiction includes Shadow on the Crown (Emma of Normandy and early British history), The Alice Network (WWI/WWII parallel narrative shining light on female spy networks), The Romanov Empress (about Tsarina Maria Feodorovna, wife of Alexander III and mother of Nicholas II), and Dear Mrs. Bird (WWII advice columnist/slice-of-life narrative). I would love to see some more light shed on impressive women in history and the things they accomplished despite society’s limitations (STEM, feminism, code-breaking, politics/reigns, first female to ___), like client Clarissa Harwood‘s Impossible Saints. Admittedly, I’m most familiar with European (specifically English) history, but I’m open to reading anything as long as the premise is compelling and fresh and the writing style relatable to a modern audience.

      Pie-in-the-sky: Lately I’ve been craving Gilded Age/turn-of-the-century narratives, particularly in the ways American wealth supported British aristocracy. I also want to read about women we know (Wu Zetian, Elizabeth Bathory, Mette Magrete Tvistman), women behind great men in history, and women being the first in smaller [and oftentimes fictional] ways––like the first to run her family’s Victorian shop, with Sarah Waters vibes, for example.

      Contemporary/Historical Parallel Narratives in Fiction || There are great ways to introduce parallel narratives in historical and contemporary women’s fiction. Some of my favorites include anything pertaining to archivists, curators, scribes, researchers, and academics. Sometimes the parallel narrative is in the form of epistolary fiction –– artifacts and documents the curator, archivist, or researcher in the modern day stumbles across that takes us into the historical narrative literally (like The Weight of Ink and Possession) or figuratively (Meet Me at the Museum). I especially adore fiction that follows said curator, archivist, and academic on their journey, like The Clockmaker’s Daughter. I’m open to two historical narratives (Letters from Skye) as well as one historical and one contemporary, just as long as both narratives are tied in some way while still having two separate, compelling journeys.

      YOUNG ADULT FICTION

      Fantasy & Historical Fantasy || The YA world is difficult to break into, especially in fantasy. But I’m such a sucker for YA fantasy — I love all the worlds and ideas and originality that floods the market. That’s the issue at stake, though: it needs to be original. So while I love fairytale retellings, they need to be proper retellings, with twists and turns and (for goodness’s sake) new names––just like my clients Lisa DeSelm’s The Puppetmaster’s Apprentice and Chloe Gong’s These Violent Delights. I love culturally-influenced or mythology-inspired stories (like Spin the Dawn and Don’t Call the Wolf), but I’m not interested in Greek or Roman mythology whatsoever. (Never have been.) I love historically-inspired fantasies, too, such as Walk on Earth a Stranger. That said, I’m very much into elemental magic — when magic is innate, a part of the world, or part of the world’s faith/mythology — over all other kinds of fantasies, like Shielded by my client KayLynn Flanders. Think Star-Touched Queen, Shadowfell, Sorcery of Thorns, and Hunted. If you have a YA fantasy, send it my way, especially if they fit into any of the above criteria.

      Pie-in-the-sky: (As stated in the adult fiction section, since it applies here too) What every single book mentioned above accomplishes is the ability to take a creature, character, or tradition from a culture, tale, or faith and make it entirely new, unique, fresh. I want to see golems, djinn, wendigos, vetalas, almasties––I’m tired of the typical werewolf/vampire/angel/fairy. Give me something rarely covered in Western literature. Give me depth to the world and the characters. I don’t need heists and sword fights and action-action-action to propel my reading. They’re entertaining, but I’m here for the meat of the story, not the garnish.

      Contemporary Fiction || It is all about the voice for me when it comes to YA contemporary. When I read YA contemporary, I need to feel like I’m talking to my high school best friend. Teen readers can spot inauthenticity in a heartbeat, and you want to make sure you have their desires and heartbreaks in the voice of your protagonist. You’re not an adult trying to be a teen — you are a teen. That said, I am seeking fantastic rom-coms like When Dimple Met Rishi (technology camps!), Royals (royals’ sidekicks fall in love!) and Anna and the French Kiss (study abroad programs!), badass heroines like Dumplin’ (fighting against stereotypes!), and great family and friendship dynamics like Emma Mills, Morgan Matson, and Jenny Han. Perfect examples of this are my own clients Jared Reck (A Short History of the Girl Next Door) and Nina Moreno (Don’t Date Rosa Santos). I’d love to see more characters with fun and interesting jobs and unique hobbies. I tend to lean on the lighter side of things, with hope at the end of the tunnel. I do like tear-jerkers, but I want that spark of hope and inspiration at the end.

      Historical || Historical fiction is very hard to break into in YA. Sometimes it needs to have magical elements, sometimes it needs to be an era that readers are familiar with. Look to your own city, look to the history books, look to your family history, and see what seemingly small event had a large impact for that area. A Prisoner of Night and Fog is set in Germany in the 1930s, not quite WWII but through the perspective of someone in the middle of the frightening changes in the country; Outrun the Moon is set during the San Francisco earthquake, and how race and economic status barriers fell in a state of emergency; A Madness So Discreet is set across America in the 1800s, battling patriarchy and standing up for those unlawfully sentenced to mental institutions; The Forbidden Orchid is set in Asia as a Victorian girl hunts down her father, a man in the middle of a race to find a perfect, rare orchid; The Bird and the Blade, though partially based on a folk tale, is inspired by historical events during the Mongol Empire and the Great Khan’s reign of power. There are so many more — but great YA historical fiction requires an intriguing and original premise, a general accessibility, and bringing the past to life. I would love to see historical fiction set outside the US and Western Europe!

      ~~~

      For a final once-over, feel free to follow my #mswl and #MSWLaesthetic on Twitter, read my Manuscript Wishlist post, follow submission guidelines, read up on Publishers Marketplace deals, check out my clients page and book deals records, and catch up on this blog once in a while to read my thoughts and reviews of published works. Every little bit helps to getting representation! Oh, and as a reminder:

      ALWAYS seeking: diversity. Race, ethnicity, gender identity, sexual orientation, ability, mentality, health, economic status, religious affiliation, all of it. The obvious shouldn’t need to be said — that I want my projects to reflect the beautiful diversity of the world, that I want to see and share with others life through another’s eyes, that I want to see these differences expressed through art and creation and culture, that these books need to be on bookshelves — but that’s the state of things. So yes, there is no question to it: I want diversity.

      ALWAYS open to queries: even during times of the year when publishing seems extra busy, or extra slow, or I’m on vacation or traveling — I am open to queries. I never close. I read every single query. It’s unfair to you as the writer to try to keep track of all the agents who are opened or closed, and (selfishly) it’s unfair to me to be closed when something truly remarkable could have been in my inbox for me to represent. SO! With that said, if I’m busy or traveling or on vacation, I’ll have an away message up with clear, simple instructions about what will happen with your query in the time I’m away. I am never closed to queries.

      NEVER seeking: anything set in space, anything set in the future, thrillers and suspense (psychological, military, legal, political, or otherwise), Greek or Roman-inspired narratives (I’m sorry, I’m just not into it), all nonfiction (poems, essays, memoirs, how-tos, everything nonfiction), scripts or screenplays, paranormal romance, erotica. If your project uses any of these concepts to describe it, it’s an automatic no. I’m not the agent for any of these projects, so please do not send them to me.

      ~~~

      I hope this is helpful! I’m looking forward to receiving great manuscripts and selling lots in 2021!

      Posted in agenting | 1 Comment | Tagged agenting, personal
    • Top Five Books of 2020

      Posted at 10:56 am by Laura, on December 31, 2020

      It’s that time of year! Everyone is sharing their favorite books from 2020, and for the first time in a very long time I have to struggle to pick five from the pile of five-star reviews rather than accept the meager few as my top.

      When I made it my goal to read for quality over quantity this year (even though I did give a number and didn’t reach it), I found myself really enjoying reading for pleasure again (who would’ve thought?). This resulted in tossing aside several books to the DNF and TTFN, and diving deep into the ones I was truly enjoying. Several four-, four-and-a-half-, and five-star reads came forth, and it was such a joy! I can look back on my reading year in 2020 fondly.

      Top Five Books of 2020

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      “But Laura,” you say, “there are six books here! Can’t you count?”

      Top Five Books of 2020: Born a Crime, The Ten Thousand Doors of January, The Happy Ever After Playlist, Mexican Gothic, and A Darker Shade of Magic make my top most top five of the five-star reviewed titles. 

      Five other five-star reads include Becoming, Digital Minimalism, The Lost Words, Recommended for You, and The Once and Future Witches.

      The Top of the Top Best Book of 2020: The Year of the Witching, solidifying itself as one of my favorite books ever. All the stars to this book. All of them.

      And of course, my clients! 

      Shielded by KayLynn Flanders

      The Puppetmaster’s Apprentice by Lisa DeSelm

      These Violent Delights by Chloe Gong

      ~

      Looking forward to another great reading year in 2021! 

      Posted in books, Update Post | 0 Comments | Tagged books, personal, top five books
    • If We Were Having Coffee…*

      Posted at 4:28 pm by Laura, on January 26, 2020

       

      *Titled as such even though I prefer tea because saying “if we were having tea” sounds so high brow for a Midwestern American.

      Hello! Happy Sunday afternoon! Life’s been busy and hectic, and post-wedding became pre- and during-Christmas, which then became post-holidays and now I’m finally finding the time to sit down and blog. I’ve read books (a couple that I finished at the end of 2019 went up earlier today) and I even prepared a Seasonal Rewind for Summer and Fall 2019 that is so crammed and unfinished it just…makes me cringe.

      So in lieu of the Seasonal Rewind — which I’m thinking of revamping…we’ll see how that’ll look when I post it for the first time in April for Winter 2020 — I’m giving you a quick snapshot update of life pre-/post-wedding and pre-/post-Christmas. Grab your favorite hot beverage and let’s swap updates!

      If we were having coffee… I would show you the complete wedding photo gallery so you can see the hundreds of amazing, jaw-dropping shots my photographer took of our wedding! But because the internet is what it is, I’ll redirect you, dear Reader, to my IG page and the photographer’s blog instead. We had some preview shots not long after the wedding, and then as a wonderful Christmas gift we received all the pictures and a lovely golden flashdrive with the hi-res copies. I selected a few here and here to share with the world. And if that’s not enough, you’re welcome to go through the wedding highlight in the profile! All that planning, all that time and energy, was completely worth it. What a wonderful, beautiful, fantastic day we had!

      If we were having coffee… I’d tell you how I hit the ground running coming back to work after the wedding, and had very little me-time to process it all, even during the holidays. It was stressful but in the best kind of way. I’m so thankful to have a job that I love. It makes all the crazy ups and downs completely worth it.

      If we were having coffee… I would tell you all about my new and severely delayed obsession with Parks & Rec and Ron Swanson. Oh my god, Ron. I love all of the characters, but Ron is truly my spirit animal. He says and does things I wish I could say and do when working with the public, and he’s so strong in his convictions and no one pushes him out of it (well, except maybe Leslie). He exudes the confidence and lack of interest in drama that I wish I could do publicly, bahaha! Instead I smile, keep quiet, and scream inside. *spins in the infinity desk chair*

      If we were having coffee… I’d tell you how I’m trying to figure out how I want my social media to look and how to utilize these as tools rather than taking over my life. (A book review to come soon that inspired this.) (Spoiler alert: I went nuts about it on IG.) I want to go back to my hobbies of knitting and scrapbooking (pump the breaks, it’s not that intense — I just stick photos in an album with little captions — but I haven’t put photos into albums since 2016…), yet I claim there’s no time to do those things. But there is. There is time, I’m just scrolling endlessly on social media platforms that don’t always bring me joy. FB is slowly falling by the wayside, Twitter is work-only in promoting clients’ books, and IG was meant to be my escape, but even there it becomes toxic once in a while (for my mental health — they’re actually very calm in their discussions about big issues which I really appreciate!). I do miss the blogging days. I want to make an effort to bring this one back to life, to interact with my friends more on their blogs too, so we’ll see how that goes. Until then…less screen time on my phone, and closing out when I seem to be going down a rabbit hole.

      If we were having coffee… I’d tell you about the really cool people I’ve met on IG and overall bookish accounts that I thoroughly enjoy interacting with, namely @justagirlwithabook, @idlewildreads, @theardentbiblio, @thebrunettebookworm, and @bookrepository. Of course there are the usual crew from the blogging and Twitter days, but three I tend to find have the most relatable and discussion-worthy posts and two have really great fantasy recommendations.

      If we were having coffee… I’d tell you how there are big, happy changes in the air and I’m really looking forward to 2020 overall — even if my brain is hamster-wheeling at the moment. We’re preparing for our springtime Swiss honeymoon, which is all sorts of exciting and fun to look forward to (and then go on!). My clients are awesome and brilliant, and I hope to find more wonderful work in the year. Honestly, I haven’t been more excited for a fresh slate/year in…ever.

      If we were having coffee… I’d pretty much just word-vomit in your general direction all the wild things bouncing around in my head that aren’t emergencies because generally my life is great and I’m happy and content. But at the same time, I’ve always been the kind of person to plan ahead, even though I know that all that planning could be for naught because that’s just how life works. You’re sent curve-balls and bumps and obstacles, and you learn and grow from them. (But I’ll still plan and save and think like crazy.)

      ~

      What’s new in your life? Which posts should I check out, here or on another platform, that you’d like to talk about? What would we chat about if we were having coffee?

      Posted in Update Post | 1 Comment | Tagged if we were having coffee, personal
    • MSWL for 2020

      Posted at 10:00 am by Laura, on January 1, 2020

      Also known as
      What I’d Like to See in my Agent Inbox in 2020

      In general, my manuscript wish list stays the same no matter the season or year! But for 2020, I’m really hoping to see these kinds of projects in particular appear in my inbox. Similar to 2018 and 2019, but with some adjustments and additions.

      The biggest “change” this year is I’m seeking more in fantasy. I was hesitant in 2019 since my inbox was already flooded. But last year’s book deals have proven that my deepest and most successful love appears to be in fantasy. So I’m diving into my particular taste below!

      ~~~

      ADULT FICTION

      Fantasy || I adore fantasy inspired by historical events, cultures, folklore, and fairytales. My absolute favorites are The City of Brass (Islamic- and Arabic-inspired, set in 18th-c outside Cairo), Uprooted and Spinning Silver (Eastern European and Jewish fairytale retellings), and Daughter of the Forest (Irish Celtic mythology). Award-winning author and client Tasha Suri‘s Empire of Sand and Realm of Ash are based on 15th-c Mughal-Indian mythology. Each of these books have lush writing and beautiful characterizations, which is what I’m most drawn to in these fantasies. I also enjoy in-depth world-building and unique perspectives, have recently thoroughly enjoyed dragon stories (Priory of the Orange Tree and His Majesty’s Dragon), am seeking more ensemble casts with one POV (a la Kings of the Wyld), and I want to find my own Queen of Blood, Bone Ships, or The Wolf and the Whale.

      Historical Fantasy || Though a branch off fantasy (“low fantasy”), this category is for all those books that have a hint of magic within the historical narrative. Not necessarily magical realism––I like the laws of magic to exist––but a tiny little something sparks that energy and spins into the fantastical. In Another Time explores wormholes in WWII, The Familiars leaves you wondering if she really was a witch, The Winter Witch adds an element of intrigue in a quiet Welsh farm, Outlander has a hint of time travel but is otherwise historical, and A Secret History of Witches explores generations of women in one family and the impact their magic has on the community. Basically if it involves witches, a hint of magic, and the ways in which a community unravels, I’m down.

      Historical Fiction || I love all sorts of historical fiction, especially when it branches off little-known aspects of history, or it takes on a fresh new look at popular historical events (WWI and WWII, for example, are incredibly common on the shelves, but it’s how the story is told or the unique perspective the story is told through that brings them to the shelves). For example, my favorite historical fiction includes Shadow on the Crown (Emma of Normandy and early British history), The Alice Network (WWI/WWII parallel narrative shining light on female spy networks), The Romanov Empress (about Tsarina Maria Feodorovna, wife of Alexander III and mother of Nicholas II), and Dear Mrs. Bird (WWII advice columnist/slice-of-life narrative). I would love to see some more light shed on impressive women in history and the things they accomplished despite society’s limitations (STEM, feminism, code-breaking, politics/reigns). Admittedly, I’m most familiar with European (specifically English) history, but I’m open to reading anything as long as the premise is compelling and fresh and the writing style relatable to a modern audience.

      Contemporary/Historical Parallel Narratives in Fiction || There are great ways to introduce parallel narratives in historical and contemporary women’s fiction. Some of my favorites include anything pertaining to archivists, curators, scribes, researchers, and academics. Sometimes the parallel narrative is in the form of epistolary fiction –– artifacts and documents the curator, archivist, or researcher in the modern day stumbles across that takes us into the historical narrative literally (like The Weight of Ink and Possession) or figuratively (Meet Me at the Museum). I especially adore fiction that follows said curator, archivist, and academic on their journey, like The Clockmaker’s Daughter. I’m open to two historical narratives (Letters from Skye) as well as one historical and one contemporary, just as long as both narratives are tied in some way while still having two separate, compelling journeys.

      Women’s Fiction || I adore women’s fiction that is about the average woman doing average things, experiencing the difficulties of everyday life, and growing from it — such as Eleanor Oliphant is Completely Fine, A Window Opens, Leave Me, Goodbye, Paris, and The City Baker’s Guide to Country Living. On the flip-side, I love chick-lit — humorous women’s fiction that’s appealing to a millennial audience, about young women in the workplace and the silly things that happen in their life. My absolute favorite is Sophie Kinsella, along with Don’t You Forget About Me, The Friend Zone, Ayesha at Last, and Attachments. Romance is not a primary draw for me, but it doesn’t turn me off to the story, either!

      YOUNG ADULT FICTION

      Fantasy & Historical Fantasy || The YA world is difficult to break into, especially in fantasy. But I’m such a sucker for YA fantasy — I love all the worlds and ideas and originality that floods the market. That’s the issue at stake, though: it needs to be original. So while I love fairytale retellings, they need to be proper retellings, with twists and turns and (for goodness’s sake) new names. I love culturally-influenced or mythology-inspired stories (like Spin the Dawn and Don’t Call the Wolf), but I’m not interested in Greek or Roman mythology whatsoever. (Never have been.) I love historically-inspired fantasies, too, such as Walk on Earth a Stranger. That said, I’m very much into elemental magic — when magic is innate, a part of the world, or part of the world’s faith/mythology — over all other kinds of fantasies. Think Star-Touched Queen, Shadowfell, Sorcery of Thorns, and Hunted. If you have a YA fantasy, send it my way, especially if they fit into any of the above criteria. I’m especially hunting down a Viking-inspired fantasy…

      Historical || Historical fiction is very hard to break into in YA. Sometimes it needs to have magical elements, sometimes it needs to be an era that readers are familiar with. Look to your own city, look to the history books, look to your family history, and see what seemingly small event had a large impact for that area. A Prisoner of Night and Fog is set in Germany in the 1930s, not quite WWII but through the perspective of someone in the middle of the frightening changes in the country; Outrun the Moon is set during the San Francisco earthquake, and how race and economic status barriers fell in a state of emergency; A Madness So Discreet is set across America in the 1800s, battling patriarchy and standing up for those unlawfully sentenced to mental institutions; The Forbidden Orchid is set in Asia as a Victorian girl hunts down her father, a man in the middle of a race to find a perfect, rare orchid; The Bird and the Blade, though partially based on a folk tale, is inspired by historical events during the Mongol Empire and the Great Khan’s reign of power. There are so many more — but great YA historical fiction requires an intriguing and original premise, a general accessibility, and bringing the past to life. I would love to see historical fiction set outside the US and Western Europe!

      Contemporary Fiction || It is all about the voice for me when it comes to YA contemporary. When I read YA contemporary, I need to feel like I’m talking to my high school best friend. Teen readers can spot inauthenticity in a heartbeat, and you want to make sure you have their desires and heartbreaks in the voice of your protagonist. You’re not an adult trying to be a teen — you are a teen. That said, I am seeking fantastic rom-coms like When Dimple Met Rishi (technology camps!), Royals (royals’ sidekicks fall in love!) and Anna and the French Kiss (study abroad programs!), badass heroines like Dumplin’ (fighting against stereotypes!), and great family and friendship dynamics like Emma Mills, Morgan Matson, and Jenny Han. Perfect examples of this are my own clients Jared Reck (A Short History of the Girl Next Door) and Nina Moreno (Don’t Date Rosa Santos). I’d love to see more characters with fun and interesting jobs, unique hobbies, and (as a past drum major) more marching band narratives! I tend to lean on the lighter side of things, with hope at the end of the tunnel, rather than something dark and gritty from the get go and very little humor to carry throughout. I do like tear-jerkers, but I want that spark of hope and inspiration at the end.

      ~~~

      For a final once-over, feel free to follow my #mswl and #MSWLaesthetic on Twitter, read my Manuscript Wishlist post, follow submission guidelines, read up on Publishers Marketplace deals, and catch up on this blog once in a while to read my thoughts and reviews of published works. Every little bit helps to getting representation! Oh, and as a reminder:

      ALWAYS seeking: diversity. Race, ethnicity, gender identity, sexual orientation, ability, mentality, health, economic status, religious affiliation, all of it. The obvious shouldn’t need to be said — that I want my projects to reflect the beautiful diversity of the world, that I want to see and share with others life through another’s eyes, that I want to see these differences expressed through art and creation and culture, that these books need to be on bookshelves — but that’s the state of things. So yes, there is no question to it: I want diversity.

      ALWAYS open to queries: even during times of the year when publishing seems extra busy, or extra slow, or I’m on vacation or traveling — I am open to queries. I never close. I read every single query. It’s unfair to you as the writer to try to keep track of all the agents who are opened or closed, and (selfishly) it’s unfair to me to be closed when something truly remarkable could have been in my inbox for me to represent. SO! With that said, if I’m busy or traveling or on vacation, I’ll have an away message up with clear, simple instructions about what will happen with your query in the time I’m away. I am never closed to queries.

      NEVER seeking: anything set in space, anything set in the future, thrillers and suspense (psychological, military, legal, political, or otherwise), all nonfiction (poems, essays, memoirs, how-tos, everything nonfiction), paranormal romance, erotica. If your project uses any of these concepts to describe it, it’s an automatic no. I’m not the agent for any of these projects, so please do not send them to me.

      ~~~

      I hope this is helpful! I’m looking forward to receiving great manuscripts and selling lots in 2020!

      Posted in agenting | 2 Comments | Tagged agenting, personal
    • 2020 Bookish Resolutions & Reading Goals

      Posted at 10:15 am by Laura, on December 31, 2019

      Major Goals

      READ 45 BOOKS || I barely hit this goal (43 instead of 45) in 2019 for a number of reasons, but just like my goal in 2019 I want to focus on quality over quantity, and I’m very pleased with my reading year in 2019. It is my hope to do the same for 2020!

      READ 15 LIBRARY BOOKS || This shouldn’t be hard, considering I’ve read so much from the library already and I definitely plan to read more again this year too! It goes hand-in-hand with my next goal…

      BARGAIN BUY || In an effort to make better purchasing decisions on a slim budget, I will focus my efforts to reading library books and making bargain purchases––coupons, XY% off, second-hand, etc––and only buy brand new, full price items for hot ticket, highly coveted, would’ve-dropped-money-no-matter-what books I’ve been excited for and waiting on for ages. This isn’t just nice for the wallet, but also for my buckling bookcases, which leads to…

      READ MORE FROM TBR || …reading from those buckling bookcases! I threw my money at all of these books I’m still very excited to read, so perhaps I should read them.

      Bonus Goals

      READ MORE GABALDON / MARILLIER || You guys, I have all of their books. I need to read them. And get back into the binge-reading style I so loved before blogging!

      READ MORE GENRE FICTION || OOOOOOWEEEEE I love fantasy and historical! Last year my goal was to get into more mysteries, and I did via the historical fiction route. I think I’ll continue doing that, and also add some more sweeping epic fantasies on my list too. Many of them I already own. So again…these goals go hand-in-hand quite nicely!

      ~

      What are your reading goals for 2020?

      Posted in books | 3 Comments | Tagged books, personal, resolutions
    • Top Five Books of 2019

      Posted at 3:47 pm by Laura, on December 30, 2019

      Though I want to participate in the End of Year Book Survey, I frankly don’t have the time this year to answer the questions, provide links, add images, and be silly with Ron Swanson gifs (that was my plan––I’ve recently started watching Parks & Rec for the very first time and ohmygosh Ron is my spirit animal). So instead I thought I’d highlight my favorite books read this year and point out some honorable mentions.

      Top Five Books of 2019

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      The following books received big fat five stars from me as standout favorites.

      KINGDOM OF COPPER by SA CHAKRABORTY

      THE FLATSHARE by BETH O’LEARY

      AYESHA AT LAST by UZMA JALALUDDIN

      CONFESSIONS OF A SHOPAHOLIC by SOPHIE KINSELLA [review to come!]

      DON’T YOU FORGET ABOUT ME by MHAIRI MCFARLANE [review to come!]

      And of course, my clients…

      If you haven’t already, you need to pick up the books by my clients that came out in 2019: Bear No Malice by Clarissa Harwood, Don’t Date Rosa Santos by Nina Moreno, and Realm of Ash by Tasha Suri.

      Get a head start on your 2020 reading list by adding Shielded by KayLynn Flanders, These Violent Delights by Chloe Gong, and The Puppetmaster’s Apprentice by Lisa DeSelm to your Goodreads TBR!

      ~~~

      What were your top favorites of 2019?

       

      Posted in books, Update Post | 2 Comments | Tagged books, personal, top five books
    • If We Were Having Coffee…*

      Posted at 2:08 pm by Laura, on February 17, 2019

      *Titled as such even though I prefer tea because saying “if we were having tea” sounds so high brow for a Midwestern American.

      Hello! Happy Sunday afternoon. It’s been a while since I’ve updated the blog, and I thought I’d gather ’round here and have a little chat about life. Grab your favorite hot beverage and let’s swap updates…

      If we were having coffee… I would tell you that I recently purchased a brand new laptop for work, which meant giving up all of my Adobe Creative Suite software. I’m now without my favorite Photoshop and InDesign programs, and relying on Canva until I decide which of the two I’m willing to subscribe to for the year. Y’all, seriously, I understand the cloud is great and everything, but do we really need to do subscription services each year for all of these programs, and therefore boatloads of money down the drain? I’d rather go back to disc downloads…*sigh* I used InDesign for my blog (though it’s not as if I’m designing a whole lot), and I used Photoshop for social media (and again, it’s not as if I was using it a lot), though the thought of going without one of the programs is daunting. Especially when I’m not a huge fan of what Canva can offer so far, at least on the free platform. What do you use?

      If we were having coffee… I would tell you that January was a very difficult month for my family. Without going into detail, let’s just say it made work life, personal life, and me-time a dark and stormy place. Thankfully we’re out of the woods and everything is much better and looking to only get better from here, but man! It really was scary, the beginning of this year.

      If we were having coffee… I’d tell you that wedding planning is going well and on track. We have the hotel and attendants’ clothing locked in, we’ve narrowed down the florals, we’re going to have linen discussions in March, and all the marriage counseling and church-related elements are underway. We’re even thinking about our honeymoon in spring 2020! Whenever I tell people this they seem impressed and shocked — I guess that means we’re ahead of the game? What else would you expect when bride, groom, mother-of-the-bride, and mother-of-the-groom are all Type A? Spreadsheets are our friends.

      If we were having coffee… I’d tell you that I’ve had a rough time of it with my reading for 2019. I’ve DNF’d as many books as I’ve actually completed reading so far this year (if not more than). I knew going into this year that my challenge would be to read books I genuinely enjoy and to set aside books that just aren’t hitting the right notes for me — to focus on quality over quantity. However, on the flip side, I’m carving out time for myself in the mornings to read for pleasure, and that’s been very rewarding. Instead of hitting snooze several times and racing out of bed to start my day in a rush, I’m getting up with the alarm, taking my time, easing into the day before 8am and feeling refreshed for work by 9am. It’s fantastic! What are your morning routines? In what ways do you carve out time for yourself?

      If we were having coffee… I’d tell you that I’m debating about doing some sort of social media detox. At least on FB and Twitter. (Perhaps it’ll be my thing to give up for Lent.) It feels so toxic, especially Twitter, with its echo chamber and voices shouting into the void and repetitive drama. At this point I’m here to help my clients promote their books, and that’s it. I’m rarely on there for anything else. Have you had issues with social media? Have you tried going on a detox before (and if so, how’d that turn out for you)?

      If we were having coffee… I’d tell you that agenting is going so well. I’m super proud of all my clients and what they’re accomplishing, and I can’t wait to share all sorts of good news! I’m also incredibly thankful for the encouragement and advice from other agents in the industry. It takes five to seven years (years) to really get your career off the ground, to start reaping the rewards of all the hard work and hours you put into this job, all for a tiny slice of commission. The first two years were very hard, the third year I started to get more clients, more deals, and year four was the best to date. I’m only partially in my fifth year and I can actually see myself living on this income. I can’t tell you how thrilling that is, especially because I’m in a field that’s entirely a game of luck and chance. I’m sure other self-employed / entrepreneurs out there get what I’m saying. 2019 is a catch-22 year for me, though, in terms of time and human ability to get All The Things Done, and I’m already falling behind on reading requested submissions. Cross fingers success continues, and perhaps I’ll be able to step away from my part-time work and truly enter agenting wholly, completely full-time. 

      If we were having coffee… I’d confess that I really miss Greece right now. Spring can hurry up and get here, but only if it includes the bluest of blues Aegean Sea and cloudless skies and endless cooling breeze on hot, sunny days. I’m such a fall/winter girl, but Syros really spoiled me for good summer weather. 

      ~

      So, how are you doing? What’s new with you? Let’s chat! 

      Posted in Update Post | 14 Comments | Tagged if we were having coffee, personal
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    • Hello, I’m Laura!

      I'm a bookish bookworm and book hoarder. By day I'm a literary agent, and by night I'm forever rearranging my bookshelves. I could talk your ear off about Gothic literature, and in my past life people thought I'd become a professional musician. I have a fluffy black cat named Rossetti, I love to knit, tea is my drink of choice, British TV is the best, and I'm obsessed with popcorn. Welcome to Scribbles & Wanderlust! Grab your favorite hot beverage and let's chat books!
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