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  • Tag: agenting

    • Deal Announcement: Heather Walter, Fantasy

      Posted at 11:18 am by Laura, on February 16, 2022

      dealannouncement

      I’m beyond thrilled to share that Heather Walter’s CRIMSON CROWN will finally be in readers’ hands!

      Author of MALICE and the forthcoming MISRULE Heather Walter’s CRIMSON CROWN, pitched as a Tudor-inspired retelling of the rise of Snow White’s Evil Queen, in which a witch hunted by a zealous king infiltrates the religious faction that seeks to eradicate her kind, and must choose between loyalty to her coven or her heart, to Tricia Narwani at Del Rey, in a good deal, in a two-book deal, for publication in spring 2024, by Laura Crockett at TriadaUS Literary Agency (world).

      In Heather’s deal announcement post for MALICE, I shared a story about going on submission with Heather’s first project, a Snow White prologue/villain origin story. One editor in particular (spoiler, it was Tricia) resonated with the story, but not enough to make an offer. 

      When MALICE sold to Del Rey, we set CRIMSON aside. But all through edits, launch, writing MISRULE, and MISRULE’s edits, Heather and I kept going back to CRIMSON. It was such a special project for us, and we really wanted to share the Evil Queen’s story someday. What could be done to make it better? What could be done that would make Tricia say yes! again?

      And then Heather emailed me a big what if: what if…this was Anne Boleyn’s story?

      Everything fell into place after that. Reimagining Tudor England into a whole new world was easy with this queer Snow White villain origin tale. I want to gush about literally everything that made this mash-up so perfect, but I don’t want to spoil it for readers. You’ll just have to take my word for it.

      Heather’s editorial experience with her previous books helped reshape our original project together. When I say to clients that books are never shelved completely, this is why. The first manuscript didn’t sell––it simply wasn’t ready––but this sparkling, bloody, witchy, wicked tale that CRIMSON CROWN became, after a few years in a drawer, did. The heart of her remains present, yet I am in awe of how much more elevated and heart-poundingly wonderful it has become!

      Congratulations, Heather!!

      Posted in agenting, deal announcement | 0 Comments | Tagged agenting, deal announcement
    • MSWL for 2022

      Posted at 11:16 am by Laura, on December 29, 2021

      Also known as
      What I’d Like to See in my Agent Inbox in 2022

      In general, my manuscript wish list stays the same no matter the season or year! But for 2022, I’m really hoping to see these kinds of projects in particular appear in my inbox. Similar to 2018, 2019, 2020, and 2021, but with an emphasis on joyful and uplifting stories, especially with contemporary narratives.

      As I mentioned in a recent post, the industry is slammed and publishers are being even more selective, making it even harder for debuts. So I’m being extra picky as well––and I’m hopeful this post helps provide insight to my wishlist!

      Keep in mind, a manuscript is more than a recipe combining themes of Book A, characters like those found in Book B, with a plot like Book C. It’s in the essence of the writing, the make-up of the narrative, the style of the voice––that’s what captures attention. A really great manuscript infuses the tone, atmosphere, and emotion into every word, applying careful attention to detail to evoke a sensation from the page to the reader’s mind. That’s what agents are looking for. We’re enticed by your recipe and hope to be moved by the outcome. So while I am pointing out published books that accomplished elements of what I love and what I’m seeking, I’m also pointing out books that most accurately display the essence of what I’m looking for.

      ~~~

      ADULT FICTION

      Fantasy || I adore fantasy inspired by historical events, cultures, folklore, and fairytales. More often than not, these fantasies tend to be set in secondary worlds, where magic may or may not exist, but the feel of the novel is certainly magical. My absolute favorites are The City of Brass (Islamic- and Arabic-inspired, set in 18th-c outside Cairo), Uprooted and Spinning Silver (Eastern European and Jewish fairytale retellings), The Wolf of Oren-Yaro (Filipino-inspired culture), and Daughter of the Forest (Irish Celtic mythology). Award-winning author and client Tasha Suri‘s Empire of Sand, Realm of Ash, and The Jasmine Throne are inspired by Indian history and mythology, and Malice by Heather Walter spins a fairytale completely on its head. These books have lush writing and beautiful characterizations, which is what I’m most drawn to in these fantasies. I also enjoy in-depth world-building and unique perspectives (literally everything about A Darker Shade of Magic), have thoroughly enjoyed dragon stories (Priory of the Orange Tree and His Majesty’s Dragon), am seeking more previously-established-relationships among ensemble casts with one POV (a la Kings of the Wyld), and I want to find my own Queen of Blood, Bone Ships, or The Wolf and the Whale.

      Pie-in-the-sky manuscript: What every single book mentioned above accomplishes is the ability to take a creature, character, or tradition from a culture, tale, or faith and make it entirely new, unique, fresh. I want to see golems, djinn, wendigos, vetalas, almasties––I’m tired of the typical werewolf/vampire/angel/fairy. Give me something rarely covered in Western literature. Give me depth to the world and the characters. I don’t need heists and sword fights and action-action-action to propel my reading. I would especially love to see this from marginalized and underrepresented voices.

      Historical Fantasy || Though a branch off fantasy (“low fantasy”), this category is for all those books that have a hint of magic within the historical narrative. Not necessarily magical realism––but a tiny little something sparks that energy and spins into the fantastical. In Another Time explores wormholes in WWII, The Familiars leaves you wondering if she really was a witch, The Winter Witch adds an element of intrigue on a quiet Welsh farm, Outlander has a hint of time travel but is otherwise historical, and A Secret History of Witches explores generations of women in one family and the impact their magic has on the community. I would love to see more gothic-, religiously-, politically-infused historical fantasies like The Once and Future Witches and The Year of the Witching––I would fall over to represent something like that! Basically if it involves witches, a hint of magic, and the ways in which a community unravels, I’m down.

      Pie-in-the-sky: A fresh and unique spin on historical events that then asks, “what if…?” What if witches were real during XYZ historical event? What if witches were behind A? What if magic was the cause of B? What if someone with XYZ abilities could’ve changed the outcome to C? What if magic/witches were the root of religion? Take the idea and run with it.

      Women’s Fiction || I adore women’s fiction that is about the average woman doing average things, experiencing the difficulties of everyday life, and growing from it — such as Eleanor Oliphant is Completely Fine, A Window Opens, Leave Me, Goodbye, Paris, The Brilliant Life of Eudora Honeysett, and The City Baker’s Guide to Country Living. On the flip-side, I love chick-lit/romcom — humorous women’s fiction that’s appealing to a millennial audience, about young women in the workplace and the silly things that happen in their life. My absolute favorite is Sophie Kinsella, along with Don’t You Forget About Me, The Friend Zone, Ayesha at Last, The Matzah Ball, A Holly Jolly Diwali, and The Flatshare. Romance is not a primary draw for me, but it doesn’t turn me off to the story, either!

      Pie-in-the-sky: I’ve found I’m drawn to two particular sorts of protagonists and life journeys in women’s fiction. The first is the character that thinks they’re content when actually they’re lonely. Though these characters are typically older or curmudgeonly––and that’s okay––a kind and young character can experience this too. I’m drawn to the ways in which another character/event challenges them to break routine. The second is the character that has something preventing them from moving forward in life––grief, finances, a relationship––and the snowball effect that has throughout the narrative. I want to read something joyful and uplifting, with levity and humor throughout.

      Historical Fiction || I love all sorts of historical fiction, especially when it branches off little-known aspects of history, or it takes on a fresh new look at popular historical events (WWI and WWII, for example, are incredibly common on the shelves, but it’s how the story is told or the unique perspective the story is told through that brings them to the shelves). For example, my favorite historical fiction includes Shadow on the Crown (Emma of Normandy and early British history), The Alice Network (WWI/WWII parallel narrative shining light on female spy networks), The Romanov Empress (about Tsarina Maria Feodorovna, wife of Alexander III and mother of Nicholas II), and Dear Mrs. Bird (WWII advice columnist/slice-of-life narrative). I would love to see some more light shed on impressive women in history and the things they accomplished despite society’s limitations (STEM, feminism, code-breaking, politics/reigns, first female to ___), like client Clarissa Harwood‘s Impossible Saints. In 2021, my favorite books included The Book of Longings, Hamnet, and The Giver of Stars. Admittedly, I’m most familiar with European (specifically English) history, but I’m open to reading anything as long as the premise is compelling and the writing style is relatable to a modern audience.

      Pie-in-the-sky: Lately I’ve been craving Gilded Age/turn-of-the-century narratives, particularly in the ways American wealth supported British aristocracy. I also want to read about women we know (Wu Zetian, Elizabeth Bathory, Mette Magrete Tvistman), women behind great men in history, and women being the first in smaller [and oftentimes fictional] ways––like the first to run her family’s Victorian shop, with Sarah Waters vibes, for example.

      Contemporary/Historical Parallel Narratives in Fiction || There are great ways to introduce parallel narratives in historical and contemporary women’s fiction. Some of my favorites include anything pertaining to archivists, curators, scribes, researchers, and academics. Sometimes the parallel narrative is in the form of epistolary fiction –– artifacts and documents the curator, archivist, or researcher in the modern day stumbles across that takes us into the historical narrative literally (like The Weight of Ink, Possession, The Lost Apothecary) or figuratively (Meet Me at the Museum). I especially adore fiction that follows said curator, archivist, and academic on their journey, like The Clockmaker’s Daughter. I’m open to two historical narratives (Letters from Skye) as well as one historical and one contemporary, just as long as both narratives are tied in some way while still having two separate, compelling journeys.

      YOUNG ADULT FICTION

      Fantasy & Historical Fantasy || The YA world is difficult to break into, especially in fantasy. But I’m such a sucker for YA fantasy — I love all the worlds and ideas and originality that floods the market. That’s the issue at stake, though: it needs to be original. So while I love fairytale retellings, they need to be proper retellings, with twists and turns and (for goodness’s sake) new names––just like my clients Lisa DeSelm’s The Puppetmaster’s Apprentice and Chloe Gong’s These Violent Delights. I love culturally-influenced or mythology-inspired stories (like Six Crimson Cranes and Don’t Call the Wolf), but I’m not interested in Greek or Roman mythology whatsoever. (Never have been.) I love historically-inspired fantasies, too, such as Walk on Earth a Stranger. That said, I’m very much into elemental magic — when magic is innate, a part of the world, or part of the world’s faith/mythology — over all other kinds of fantasies, like Shielded by my client KayLynn Flanders. Think Star-Touched Queen, Shadowfell, Sorcery of Thorns, and Hunted. If you have a YA fantasy, send it my way, especially if they fit into any of the above criteria.

      Pie-in-the-sky: (As stated in the adult fiction section, since it applies here too) What every single book mentioned above accomplishes is the ability to take a creature, character, or tradition from a culture, tale, or faith and make it entirely new, unique, fresh. I want to see golems, djinn, wendigos, vetalas, almasties––I’m tired of the typical werewolf/vampire/angel/fairy. Give me something rarely covered in Western literature. Give me depth to the world and the characters. I don’t need heists and sword fights and action-action-action to propel my reading. They’re entertaining, but I’m here for the meat of the story, not the garnish. I would especially love to see this from marginalized and underrepresented voices.

      Contemporary Fiction || It is all about the voice for me when it comes to YA contemporary. When I read YA contemporary, I need to feel like I’m talking to my high school best friend. Teen readers can spot inauthenticity in a heartbeat, and you want to make sure you have their desires and heartbreaks in the voice of your protagonist. You’re not an adult trying to be a teen — you are a teen. That said, I am seeking fantastic rom-coms like When Dimple Met Rishi (technology camps!), Royals (royals’ sidekicks fall in love!) and Anna and the French Kiss (study abroad programs!), badass heroines like Dumplin’ (fighting against stereotypes!), and great family and friendship dynamics like Emma Mills, Morgan Matson, and Jenny Han. Perfect examples of this are my own clients Jared Reck (A Short History of the Girl Next Door) and Nina Moreno (Don’t Date Rosa Santos). I’d love to see more characters with fun and interesting jobs and unique hobbies (A Pho Love Story and Happily Ever Afters). I tend to lean on the lighter side of things, with hope at the end of the tunnel. I do like tear-jerkers, but I want that spark of hope and inspiration at the end. This year especially, I want to see more joy and uplifting reads!

      Historical || Historical fiction is very hard to break into in YA. Sometimes it needs to have magical elements, sometimes it needs to be an era that readers are familiar with. Look to your own city, look to the history books, look to your family history, and see what seemingly small event had a large impact for that area. A Prisoner of Night and Fog is set in Germany in the 1930s, not quite WWII but through the perspective of someone in the middle of the frightening changes in the country; Outrun the Moon is set during the San Francisco earthquake, and how race and economic status barriers fell in a state of emergency; A Madness So Discreet is set across America in the 1800s, battling patriarchy and standing up for those unlawfully sentenced to mental institutions; The Forbidden Orchid is set in Asia as a Victorian girl hunts down her father, a man in the middle of a race to find a perfect, rare orchid; The Bird and the Blade, though partially based on a folk tale, is inspired by historical events during the Mongol Empire and the Great Khan’s reign of power. There are so many more — but great YA historical fiction requires an intriguing and original premise, a general accessibility, and bringing the past to life. I would love to see historical fiction set outside the US and Western Europe!

      ~~~

      For a final once-over, feel free to read my Manuscript Wishlist post, follow submission guidelines, read up on Publishers Marketplace deals, check out my clients page and book deals records, and catch up on this blog once in a while to read my thoughts and reviews of published works. Every little bit helps to getting representation! Oh, and as a reminder:

      ALWAYS seeking: diversity. Race, ethnicity, gender identity, sexual orientation, ability, mentality, health, economic status, religious affiliation, all of it. The obvious shouldn’t need to be said — that I want my projects to reflect the beautiful diversity of the world, that I want to see and share with others life through another’s eyes, that I want to see these differences expressed through art and creation and culture, that these books need to be on bookshelves — but that’s the state of things. So yes, there is no question to it: I want diversity.

      ALWAYS open to queries: even during times of the year when publishing seems extra busy, or extra slow, or I’m on vacation or traveling — I am open to queries. I never close. I read every single query. It’s unfair to you as the writer to try to keep track of all the agents who are opened or closed, and (selfishly) it’s unfair to me to be closed when something truly remarkable could have been in my inbox for me to represent. SO! With that said, if I’m busy or traveling or on vacation, I’ll have an away message up with clear, simple instructions about what will happen with your query in the time I’m away. I am never closed to queries.

      NEVER seeking: anything set in space, anything set in the future, thrillers and suspense (psychological, military, legal, political, or otherwise), Greek or Roman-inspired narratives (I’m sorry, I’m just not into it), all nonfiction (poems, essays, memoirs, how-tos, everything nonfiction), scripts or screenplays, paranormal romance, erotica. If your project uses any of these concepts to describe it, it’s an automatic no. I’m not the agent for any of these projects, so please do not send them to me.

      ~~~

      I hope this is helpful! I’m looking forward to receiving great manuscripts and selling lots in 2022!

      Posted in agenting | 0 Comments | Tagged agenting, personal
    • Deal Announcement: Chloe Gong, Adult Fantasy

      Posted at 1:13 pm by Laura, on November 19, 2021

      I’m so happy to finally share the news that Chloe Gong (These Violent Delights / Our Violent Ends, Foul Lady Fortune / FLF2) will have a debut adult fantasy trilogy hitting shelves in Summer 2023, beginning with IMMORTAL LONGINGS!

      NYT-bestselling YA author Chloe Gong’s IMMORTAL LONGINGS, pitched as an epic fantasy inspired by Shakespeare’s Antony and Cleopatra and the historical Kowloon Walled City, following two lovers in a deadly contest through the crowded streets of San-Er, where people have the ability to take control of one another’s bodies, to Amara Hoshijo at Saga Press, in a pre-empt, in a three-book deal, for publication in summer 2023, by Laura Crockett at TriadaUS Literary Agency (NA).

      As announced on Publishers Marketplace. For full details and public access, read io9’s feature!

      Last time I shared a deal announcement for Chloe, I discussed option materials and how publishers get first dibs to look at an author’s new project.

      Well this time things were a little different, because Chloe wrote an adult project––which meant she needed to have a full manuscript prepared before we could take it out on wide submission in the adult SFF sector of publishing. That being said, at this point These Violent Delights made the NYT bestseller list for several weeks, and Chloe was tweeting about an adult fantasy––which meant every time she mentioned it on her social media, an editor from adult SFF would email me. (“Is it ready yet?” “Please keep me in mind for this!” “Please submit this to me when it’s ready!”) I joked with Chloe I knew when she was talking about her adult SFF manuscript on social because my inbox would flood with requests.

      It was ready to go on sub mid-summer, and one day––one day––after submission, Amara at Saga (the adult SFF imprint of S&S, the parent company to Chloe’s YA projects) emailed me and said Saga would be making an offer. It was a very busy week, a flurry of emails with everyone everywhere, and at the end of the week Chloe and Amara hopped on a Zoom call. I cannot even begin to describe to you how magical it was to witness their interaction. It was as if the universe just clicked––Amara is the perfect editor for Chloe, the perfect editor for IMMORTAL LONGINGS. The way the two of them got on and understood one another and the manuscript and the trilogy’s trajectory was just…wow. Simply magical!

      And the rest is history.

      Congratulations, Chloe!

      Posted in agenting, deal announcement | 1 Comment | Tagged agenting, deal announcement
    • Deal Announcement: Kaitlyn Hill, YA Contemporary

      Posted at 12:48 pm by Laura, on July 6, 2021

      It has been a very busy 2021 so far, and I’ve fallen behind on sharing deal announcements and reviews. This particular deal announcement was shared April 12 (!!!), but new books are always worth rejoicing any time! I’m thrilled to share the news Kaitlyn Hill will have another YA romcom published!

      Hannah Hill at Delacorte has acquired Not Here to Stay Friends by Love from Scratch author Kaitlyn Hill (no relation). Pitched as The Bachelor meets The Rest of the Story, this YA romance follows Sloane and Liam, two childhood friends who reunite in L.A. for the summer after five years apart. But when Liam’s producer dad ropes him into working for a teen reality dating show and Sloane becomes a contestant, their lives take a turn for the unreal. Publication is planned for spring 2023; Laura Crockett at TriadaUS Literary did the deal for world rights.

      Last time I announced a deal for Kaitlyn, I shared how funny and engaging her writing style was, how much I connected with her voice. She did it again with her next project, making me snort hot tea in the opening pages. Her characters come to life in such a relatable and refreshing way, and I knew Hannah would love it too.

      Not only did Hannah see how fun and witty Kaitlyn continued to be, but she also fangirl’d hard on all The Bachelor feels, making us an offer after a week of considering the manuscript. Kaitlyn happily accepted Hannah’s rose!

      I’m so thrilled for Kaitlyn to have two projects in the pipeline, and I can’t wait for you to read her debut next spring!

      Posted in agenting, deal announcement | 0 Comments | Tagged agenting, deal announcement
    • Deal Announcement: Nina Moreno, MG Contemporary

      Posted at 8:55 am by Laura, on March 10, 2021

      I’m excited to finally share the news that Nina Moreno will be writing a middle grade novel! Even cooler, she’s partnering with artist Courtney Lovett for the illustrations sprinkled throughout the book!

      Shelly Romero at Scholastic has bought world rights to Join the Club, Maggie Diaz by Nina Moreno (Don’t Date Rosa Santos), illustrated by Courtney Lovett. The illustrated middle grade novel follows a 12-year-old Cuban American girl who is determined to discover who she is and what her “thing” is, no matter how many activities or clubs it takes. Publication is scheduled for spring 2022; Laura Crockett at Triada US Literary represented the author, and Jemiscoe Chambers-Black at Andrea Brown Literary represented the illustrator.

      We’ve been sitting in this news for a year now, so it’s very exciting for us to be able to talk about it. MAGGIE was Nina’s pandemic book, a spot of joy in the mess that was 2020, and every interaction pertaining to developing, writing, and editing the manuscript brought a smile to my face!

      Shelly and I have wanted to work on a project together for a while, and Shelly and Nina have wanted to work on a project together for a while, so it seemed fitting that she and Nina collaborated to make this fun, Lizzie-McGuire-but-Cuban manuscript come to life! When it came time to find the perfect artist to make Maggie jump off the page, it was truly a no-brainer to go with Courtney. Look at her art!

      This is a whole new adventure for me and for Nina––middle grade and illustrated work. It’s been such a joy so far! Congratulations, Nina!

      Go add Join the Club, Maggie Diaz to your TBR!

      Posted in agenting, deal announcement | 0 Comments | Tagged agenting, deal announcement
    • Deal Announcement: Chloe Gong, YA Fantasy

      Posted at 10:41 am by Laura, on February 24, 2021

      I’m thrilled to share the announcement that Chloe Gong, New York Times bestselling author of These Violent Delights and forthcoming Our Violent Ends, will have a new duology publishing in Fall 2022, beginning with Foul Lady Fortune!

      Sarah McCabe at S&S/McElderry has bought a YA duology by bestselling author Chloe Gong (These Violent Delights). Foul Lady Fortune, the first of the two books, is a speculative historical noir surrounding the events of Imperial Japan’s expansion into China in the 1930s. A familiar character is recruited as a national spy, maintaining her false identity by posing as a young married couple with someone who might be the very enemy. Publication is set for fall 2022; Laura Crockett at Triada US Literary did the two-book, six-figure deal for North American rights.

      Last time I announced a deal for Chloe, I mentioned how amazed I was with her ability to weave historical fact with fantasy, to keep me glued to my seat, to make me want to research more into this period of history while also enjoying a thoroughly enticing and engaging novel. That certainly hasn’t changed!

      Not long after her first sale, knee-deep in edits with her editor for These Violent Delights, Chloe shared an idea with me about [redacted character] and her intention to make a spin-off duology following [redacted]. Yes, I said––run with it, expand it, let’s see what you’ve got, let’s see if [redacted] can stand on two legs and be a star.

      Fast forward to 2020, where she’s promoting her debut launch in the middle of a pandemic while also revising Our Violent Ends. Even though we couldn’t celebrate in person like we all dreamed for her, the onslaught of praise and admiration and splashy reception Chloe received in trade, commercial, academic, and general reader circles was astounding!

      We felt confident that her idea for [redacted] would work, so she wrote her optional materials, submitted shortly before winter break, and received wonderful news from her publisher that they loved it too.

      In the words of her editor Sarah, “The queen of hate-to-love romance––the incomparable Chloe Gong––has an incredible new story coming, and you’d all better start prepping because you ARE. NOT. READY!!!!!” And she’s so right. Add Foul Lady Fortune to your TBR!

      Congratulations, Chloe!

      Posted in agenting, deal announcement | 1 Comment | Tagged agenting, deal announcement
    • MSWL for 2021

      Posted at 12:15 pm by Laura, on January 1, 2021

      Also known as
      What I’d Like to See in my Agent Inbox in 2021

      In general, my manuscript wish list stays the same no matter the season or year! But for 2021, I’m really hoping to see these kinds of projects in particular appear in my inbox. Similar to 2018, 2019, and 2020, but with some adjustments and additions (pie-in-the-sky dream projects).

      Keep in mind, a manuscript is more than a recipe combining themes of Book A, characters like those found in Book B, with a plot like Book C. It’s in the essence of the writing, the make-up of the narrative, the style of the voice––that’s what captures attention. A really great manuscript infuses the tone, atmosphere, and emotion into every word, applying careful attention to detail to evoke a sensation from the page to the reader’s mind. That’s what agents are looking for. We’re enticed by your recipe and hope to be moved by the outcome. So while I am pointing out published books that accomplished elements of what I love and what I’m seeking, I’m also pointing out books that most accurately display the essence of what I’m looking for.

      ~~~

      ADULT FICTION

      Fantasy || I adore fantasy inspired by historical events, cultures, folklore, and fairytales. More often than not, these fantasies tend to be set in secondary worlds, where magic may or may not exist, but the feel of the novel is certainly magical. My absolute favorites are The City of Brass (Islamic- and Arabic-inspired, set in 18th-c outside Cairo), Uprooted and Spinning Silver (Eastern European and Jewish fairytale retellings), The Wolf of Oren-Yaro (Filipino-inspired culture), and Daughter of the Forest (Irish Celtic mythology). Award-winning author and client Tasha Suri‘s Empire of Sand and Realm of Ash are based on 15th-c Mughal-Indian mythology, and upcoming Malice by Heather Walter spins a fairytale completely on its head. Each of these books have lush writing and beautiful characterizations, which is what I’m most drawn to in these fantasies. I also enjoy in-depth world-building and unique perspectives (literally everything about A Darker Shade of Magic), have thoroughly enjoyed dragon stories (Priory of the Orange Tree and His Majesty’s Dragon), am seeking more previously-established ensemble casts with one POV (a la Kings of the Wyld), and I want to find my own Queen of Blood, Bone Ships, or The Wolf and the Whale.

      Pie-in-the-sky manuscript: What every single book mentioned above accomplishes is the ability to take a creature, character, or tradition from a culture, tale, or faith and make it entirely new, unique, fresh. I want to see golems, djinn, wendigos, vetalas, almasties––I’m tired of the typical werewolf/vampire/angel/fairy. Give me something rarely covered in Western literature. Give me depth to the world and the characters. I don’t need heists and sword fights and action-action-action to propel my reading.

      Historical Fantasy || Though a branch off fantasy (“low fantasy”), this category is for all those books that have a hint of magic within the historical narrative. Not necessarily magical realism––but a tiny little something sparks that energy and spins into the fantastical. In Another Time explores wormholes in WWII, The Familiars leaves you wondering if she really was a witch, The Winter Witch adds an element of intrigue in a quiet Welsh farm, Outlander has a hint of time travel but is otherwise historical, and A Secret History of Witches explores generations of women in one family and the impact their magic has on the community. My favorite books in 2020 included The Once and Future Witches and The Year of the Witching, and I would fall over to represent something like that! Basically if it involves witches, a hint of magic, and the ways in which a community unravels, I’m down.

      Pie-in-the-sky: A fresh and unique spin on historical events that then asks, “what if…?” What if witches were real during XYZ historical event? What if witches were behind A? What if magic was the cause of B? What if someone with XYZ abilities could’ve changed the outcome to C? What if magic/witches were the root of religion? Take the idea and run with it.

      Women’s Fiction || I adore women’s fiction that is about the average woman doing average things, experiencing the difficulties of everyday life, and growing from it — such as Eleanor Oliphant is Completely Fine, A Window Opens, Leave Me, Goodbye, Paris, and The City Baker’s Guide to Country Living. On the flip-side, I love chick-lit — humorous women’s fiction that’s appealing to a millennial audience, about young women in the workplace and the silly things that happen in their life. My absolute favorite is Sophie Kinsella, along with Don’t You Forget About Me, The Friend Zone, Ayesha at Last, and The Flatshare. Romance is not a primary draw for me, but it doesn’t turn me off to the story, either!

      Pie-in-the-sky: I’ve found I’m drawn to two particular sorts of protagonists and life journeys in women’s fiction. The first is the character that thinks they’re content when actually they’re lonely. Though these characters are typically older or curmudgeonly––and that’s okay––a kind and young character can experience this too. I’m drawn to the ways in which another character/event challenges them to break routine. The second is the character that has something preventing them from moving forward in life––grief, finances, a relationship––and the snowball effect that has throughout the narrative.

      Historical Fiction || I love all sorts of historical fiction, especially when it branches off little-known aspects of history, or it takes on a fresh new look at popular historical events (WWI and WWII, for example, are incredibly common on the shelves, but it’s how the story is told or the unique perspective the story is told through that brings them to the shelves). For example, my favorite historical fiction includes Shadow on the Crown (Emma of Normandy and early British history), The Alice Network (WWI/WWII parallel narrative shining light on female spy networks), The Romanov Empress (about Tsarina Maria Feodorovna, wife of Alexander III and mother of Nicholas II), and Dear Mrs. Bird (WWII advice columnist/slice-of-life narrative). I would love to see some more light shed on impressive women in history and the things they accomplished despite society’s limitations (STEM, feminism, code-breaking, politics/reigns, first female to ___), like client Clarissa Harwood‘s Impossible Saints. Admittedly, I’m most familiar with European (specifically English) history, but I’m open to reading anything as long as the premise is compelling and fresh and the writing style relatable to a modern audience.

      Pie-in-the-sky: Lately I’ve been craving Gilded Age/turn-of-the-century narratives, particularly in the ways American wealth supported British aristocracy. I also want to read about women we know (Wu Zetian, Elizabeth Bathory, Mette Magrete Tvistman), women behind great men in history, and women being the first in smaller [and oftentimes fictional] ways––like the first to run her family’s Victorian shop, with Sarah Waters vibes, for example.

      Contemporary/Historical Parallel Narratives in Fiction || There are great ways to introduce parallel narratives in historical and contemporary women’s fiction. Some of my favorites include anything pertaining to archivists, curators, scribes, researchers, and academics. Sometimes the parallel narrative is in the form of epistolary fiction –– artifacts and documents the curator, archivist, or researcher in the modern day stumbles across that takes us into the historical narrative literally (like The Weight of Ink and Possession) or figuratively (Meet Me at the Museum). I especially adore fiction that follows said curator, archivist, and academic on their journey, like The Clockmaker’s Daughter. I’m open to two historical narratives (Letters from Skye) as well as one historical and one contemporary, just as long as both narratives are tied in some way while still having two separate, compelling journeys.

      YOUNG ADULT FICTION

      Fantasy & Historical Fantasy || The YA world is difficult to break into, especially in fantasy. But I’m such a sucker for YA fantasy — I love all the worlds and ideas and originality that floods the market. That’s the issue at stake, though: it needs to be original. So while I love fairytale retellings, they need to be proper retellings, with twists and turns and (for goodness’s sake) new names––just like my clients Lisa DeSelm’s The Puppetmaster’s Apprentice and Chloe Gong’s These Violent Delights. I love culturally-influenced or mythology-inspired stories (like Spin the Dawn and Don’t Call the Wolf), but I’m not interested in Greek or Roman mythology whatsoever. (Never have been.) I love historically-inspired fantasies, too, such as Walk on Earth a Stranger. That said, I’m very much into elemental magic — when magic is innate, a part of the world, or part of the world’s faith/mythology — over all other kinds of fantasies, like Shielded by my client KayLynn Flanders. Think Star-Touched Queen, Shadowfell, Sorcery of Thorns, and Hunted. If you have a YA fantasy, send it my way, especially if they fit into any of the above criteria.

      Pie-in-the-sky: (As stated in the adult fiction section, since it applies here too) What every single book mentioned above accomplishes is the ability to take a creature, character, or tradition from a culture, tale, or faith and make it entirely new, unique, fresh. I want to see golems, djinn, wendigos, vetalas, almasties––I’m tired of the typical werewolf/vampire/angel/fairy. Give me something rarely covered in Western literature. Give me depth to the world and the characters. I don’t need heists and sword fights and action-action-action to propel my reading. They’re entertaining, but I’m here for the meat of the story, not the garnish.

      Contemporary Fiction || It is all about the voice for me when it comes to YA contemporary. When I read YA contemporary, I need to feel like I’m talking to my high school best friend. Teen readers can spot inauthenticity in a heartbeat, and you want to make sure you have their desires and heartbreaks in the voice of your protagonist. You’re not an adult trying to be a teen — you are a teen. That said, I am seeking fantastic rom-coms like When Dimple Met Rishi (technology camps!), Royals (royals’ sidekicks fall in love!) and Anna and the French Kiss (study abroad programs!), badass heroines like Dumplin’ (fighting against stereotypes!), and great family and friendship dynamics like Emma Mills, Morgan Matson, and Jenny Han. Perfect examples of this are my own clients Jared Reck (A Short History of the Girl Next Door) and Nina Moreno (Don’t Date Rosa Santos). I’d love to see more characters with fun and interesting jobs and unique hobbies. I tend to lean on the lighter side of things, with hope at the end of the tunnel. I do like tear-jerkers, but I want that spark of hope and inspiration at the end.

      Historical || Historical fiction is very hard to break into in YA. Sometimes it needs to have magical elements, sometimes it needs to be an era that readers are familiar with. Look to your own city, look to the history books, look to your family history, and see what seemingly small event had a large impact for that area. A Prisoner of Night and Fog is set in Germany in the 1930s, not quite WWII but through the perspective of someone in the middle of the frightening changes in the country; Outrun the Moon is set during the San Francisco earthquake, and how race and economic status barriers fell in a state of emergency; A Madness So Discreet is set across America in the 1800s, battling patriarchy and standing up for those unlawfully sentenced to mental institutions; The Forbidden Orchid is set in Asia as a Victorian girl hunts down her father, a man in the middle of a race to find a perfect, rare orchid; The Bird and the Blade, though partially based on a folk tale, is inspired by historical events during the Mongol Empire and the Great Khan’s reign of power. There are so many more — but great YA historical fiction requires an intriguing and original premise, a general accessibility, and bringing the past to life. I would love to see historical fiction set outside the US and Western Europe!

      ~~~

      For a final once-over, feel free to follow my #mswl and #MSWLaesthetic on Twitter, read my Manuscript Wishlist post, follow submission guidelines, read up on Publishers Marketplace deals, check out my clients page and book deals records, and catch up on this blog once in a while to read my thoughts and reviews of published works. Every little bit helps to getting representation! Oh, and as a reminder:

      ALWAYS seeking: diversity. Race, ethnicity, gender identity, sexual orientation, ability, mentality, health, economic status, religious affiliation, all of it. The obvious shouldn’t need to be said — that I want my projects to reflect the beautiful diversity of the world, that I want to see and share with others life through another’s eyes, that I want to see these differences expressed through art and creation and culture, that these books need to be on bookshelves — but that’s the state of things. So yes, there is no question to it: I want diversity.

      ALWAYS open to queries: even during times of the year when publishing seems extra busy, or extra slow, or I’m on vacation or traveling — I am open to queries. I never close. I read every single query. It’s unfair to you as the writer to try to keep track of all the agents who are opened or closed, and (selfishly) it’s unfair to me to be closed when something truly remarkable could have been in my inbox for me to represent. SO! With that said, if I’m busy or traveling or on vacation, I’ll have an away message up with clear, simple instructions about what will happen with your query in the time I’m away. I am never closed to queries.

      NEVER seeking: anything set in space, anything set in the future, thrillers and suspense (psychological, military, legal, political, or otherwise), Greek or Roman-inspired narratives (I’m sorry, I’m just not into it), all nonfiction (poems, essays, memoirs, how-tos, everything nonfiction), scripts or screenplays, paranormal romance, erotica. If your project uses any of these concepts to describe it, it’s an automatic no. I’m not the agent for any of these projects, so please do not send them to me.

      ~~~

      I hope this is helpful! I’m looking forward to receiving great manuscripts and selling lots in 2021!

      Posted in agenting | 1 Comment | Tagged agenting, personal
    • Deal Announcement: Kaitlyn Hill, YA Contemporary

      Posted at 5:14 pm by Laura, on July 21, 2020

      I’m excited to share the announcement of the publication of Kaitlyn Hill’s YA foodie feminist romcom, Love From Scratch!

      Hannah Allaman at Delacorte has acquired Love from Scratch by debut author Kaitlyn Hill. The feminist YA rom-com follows rival interns Reese and Benny, whose chemistry sizzles when they fill in for a video shoot on a popular online cooking channel. But will exploding internet fame and a heated competition for the fall internship keep romance on the back burner? Publication is slated for spring 2022; Laura Crockett at TriadaUS Literary Agency handled the deal for world rights.

      Once upon a time…

      February of this year, I participated in Pitch Wars. I do this every year, and am quite particular about which projects I request. When I came across Kaitlyn’s, I had a feeling it would be something perfect. But I wasn’t fast about it––it took Kaitlyn informing me she had an offer of representation on the table to kick my butt into gear. I dropped everything to read it, fell in love with Reese instantly, and needed to throw my hat into the ring. I crossed my fingers and toes and hoped beyond hope she’d choose me to be her agent––she was going to let me know on my birthday, and wouldn’t that have been the absolute perfect gift?

      It was. It was so great. I was OOO on my birthday but frequently checked my email throughout the day hoping she’d come back to me with a YES––and she DID! (Side note: we live in neighboring states, my colleague Brent lives in the same city, so there were lots of connections we felt personally to Reese and her experiences and upbringing. I was over-the-moon happy to represent Kaitlyn in all these ways!)

      Meanwhile, Hannah was moving from Disney to Delacorte (Hannah of Don’t Date Rosa Santos fame) and I had a feeling this would be perfect for her.

      Kaitlyn and I worked on some tweaks here and there for submission…and then COVID happened. Was that going to stop us? No. No, because editors wanted something fun and distracting and perfect for their COVID bread-baking activities. This manuscript was perfect for that!

      So on Hannah’s first week in her new job, Kaitlyn and I shared Love From Scratch. Flash forward a few weeks, and she presented an offer the week Kaitlyn needed the best kind of good news, and also on my one-month-mark of full-time agenting. This is the dream team. Good things keep happening for the three of us!

      And the rest…is history.

      Congratulations, Kaitlyn! You’re going to be a published author!

      Posted in agenting, deal announcement | 0 Comments | Tagged agenting, deal announcement
    • Deal Announcement: Tasha Suri, Fantasy

      Posted at 12:48 pm by Laura, on January 17, 2020

      I’m excited to share that Tasha Suri (Empire of Sand and Realm of Ash) is coming out with a brand new epic fantasy trilogy beginning with The Jasmine Throne in 2021!

      [From Orbit’s blog] Inspired by the history and epics of India, THE JASMINE THRONE follows a captive princess and a servant in possession of forbidden magic as they become unlikely allies on a dark journey to save their empire from a tyrant king. With her signature “lyrical prose, intricate world building, beautifully imagined characters, and compelling immersive folklore,” (Booklist) Suri has created a sweeping tale about powerful women looking to claim their rightful inheritances, replete with grand and ancient magic, and set in a world where lush forests and crumbling temples have secrets at their hearts. We are so excited for you to read it next year!

      Last time I announced a deal for Tasha, I’d offered rep in August 2017. Flash forward two years and two books later to August 2019. Tasha submitted her option materials to Orbit, with plans to continue The Books of Ambha, but Orbit saw something more. This story can’t be contained in one book, they said. This story needs to stand on its own. This story, they said, is powerful.

      Of course I believe in Tasha’s ability to write grand stories so gut-wrenchingly beautiful it makes my heart ache. But hearing Orbit say that about her option materials for what was meant to be one novel spoke volumes: Tasha’s publisher believed in her too.

      When I shared the news to Tasha, it’s safe to say we were both astonished and overwhelmed in the best way. There was a moment of stunned silence, and then Tasha said, “Okay…I could definitely do that. What if…” and the brainstorming began. A whole trilogy grew before our eyes, grand and beautiful and dark and epic and complicated and emotional. She resubmitted her option materials, and Orbit said yes. Yes, this trilogy is it.

      If you loved Empire of Sand and Realm of Ash, get ready. You just got a droplet of Tasha’s ocean of brilliance. Add The Jasmine Throne on your Goodreads TBR and start preparing yourselves now.

      Congratulations, Tasha!

      Posted in deal announcement | 0 Comments | Tagged agenting, deal announcement
    • MSWL for 2020

      Posted at 10:00 am by Laura, on January 1, 2020

      Also known as
      What I’d Like to See in my Agent Inbox in 2020

      In general, my manuscript wish list stays the same no matter the season or year! But for 2020, I’m really hoping to see these kinds of projects in particular appear in my inbox. Similar to 2018 and 2019, but with some adjustments and additions.

      The biggest “change” this year is I’m seeking more in fantasy. I was hesitant in 2019 since my inbox was already flooded. But last year’s book deals have proven that my deepest and most successful love appears to be in fantasy. So I’m diving into my particular taste below!

      ~~~

      ADULT FICTION

      Fantasy || I adore fantasy inspired by historical events, cultures, folklore, and fairytales. My absolute favorites are The City of Brass (Islamic- and Arabic-inspired, set in 18th-c outside Cairo), Uprooted and Spinning Silver (Eastern European and Jewish fairytale retellings), and Daughter of the Forest (Irish Celtic mythology). Award-winning author and client Tasha Suri‘s Empire of Sand and Realm of Ash are based on 15th-c Mughal-Indian mythology. Each of these books have lush writing and beautiful characterizations, which is what I’m most drawn to in these fantasies. I also enjoy in-depth world-building and unique perspectives, have recently thoroughly enjoyed dragon stories (Priory of the Orange Tree and His Majesty’s Dragon), am seeking more ensemble casts with one POV (a la Kings of the Wyld), and I want to find my own Queen of Blood, Bone Ships, or The Wolf and the Whale.

      Historical Fantasy || Though a branch off fantasy (“low fantasy”), this category is for all those books that have a hint of magic within the historical narrative. Not necessarily magical realism––I like the laws of magic to exist––but a tiny little something sparks that energy and spins into the fantastical. In Another Time explores wormholes in WWII, The Familiars leaves you wondering if she really was a witch, The Winter Witch adds an element of intrigue in a quiet Welsh farm, Outlander has a hint of time travel but is otherwise historical, and A Secret History of Witches explores generations of women in one family and the impact their magic has on the community. Basically if it involves witches, a hint of magic, and the ways in which a community unravels, I’m down.

      Historical Fiction || I love all sorts of historical fiction, especially when it branches off little-known aspects of history, or it takes on a fresh new look at popular historical events (WWI and WWII, for example, are incredibly common on the shelves, but it’s how the story is told or the unique perspective the story is told through that brings them to the shelves). For example, my favorite historical fiction includes Shadow on the Crown (Emma of Normandy and early British history), The Alice Network (WWI/WWII parallel narrative shining light on female spy networks), The Romanov Empress (about Tsarina Maria Feodorovna, wife of Alexander III and mother of Nicholas II), and Dear Mrs. Bird (WWII advice columnist/slice-of-life narrative). I would love to see some more light shed on impressive women in history and the things they accomplished despite society’s limitations (STEM, feminism, code-breaking, politics/reigns). Admittedly, I’m most familiar with European (specifically English) history, but I’m open to reading anything as long as the premise is compelling and fresh and the writing style relatable to a modern audience.

      Contemporary/Historical Parallel Narratives in Fiction || There are great ways to introduce parallel narratives in historical and contemporary women’s fiction. Some of my favorites include anything pertaining to archivists, curators, scribes, researchers, and academics. Sometimes the parallel narrative is in the form of epistolary fiction –– artifacts and documents the curator, archivist, or researcher in the modern day stumbles across that takes us into the historical narrative literally (like The Weight of Ink and Possession) or figuratively (Meet Me at the Museum). I especially adore fiction that follows said curator, archivist, and academic on their journey, like The Clockmaker’s Daughter. I’m open to two historical narratives (Letters from Skye) as well as one historical and one contemporary, just as long as both narratives are tied in some way while still having two separate, compelling journeys.

      Women’s Fiction || I adore women’s fiction that is about the average woman doing average things, experiencing the difficulties of everyday life, and growing from it — such as Eleanor Oliphant is Completely Fine, A Window Opens, Leave Me, Goodbye, Paris, and The City Baker’s Guide to Country Living. On the flip-side, I love chick-lit — humorous women’s fiction that’s appealing to a millennial audience, about young women in the workplace and the silly things that happen in their life. My absolute favorite is Sophie Kinsella, along with Don’t You Forget About Me, The Friend Zone, Ayesha at Last, and Attachments. Romance is not a primary draw for me, but it doesn’t turn me off to the story, either!

      YOUNG ADULT FICTION

      Fantasy & Historical Fantasy || The YA world is difficult to break into, especially in fantasy. But I’m such a sucker for YA fantasy — I love all the worlds and ideas and originality that floods the market. That’s the issue at stake, though: it needs to be original. So while I love fairytale retellings, they need to be proper retellings, with twists and turns and (for goodness’s sake) new names. I love culturally-influenced or mythology-inspired stories (like Spin the Dawn and Don’t Call the Wolf), but I’m not interested in Greek or Roman mythology whatsoever. (Never have been.) I love historically-inspired fantasies, too, such as Walk on Earth a Stranger. That said, I’m very much into elemental magic — when magic is innate, a part of the world, or part of the world’s faith/mythology — over all other kinds of fantasies. Think Star-Touched Queen, Shadowfell, Sorcery of Thorns, and Hunted. If you have a YA fantasy, send it my way, especially if they fit into any of the above criteria. I’m especially hunting down a Viking-inspired fantasy…

      Historical || Historical fiction is very hard to break into in YA. Sometimes it needs to have magical elements, sometimes it needs to be an era that readers are familiar with. Look to your own city, look to the history books, look to your family history, and see what seemingly small event had a large impact for that area. A Prisoner of Night and Fog is set in Germany in the 1930s, not quite WWII but through the perspective of someone in the middle of the frightening changes in the country; Outrun the Moon is set during the San Francisco earthquake, and how race and economic status barriers fell in a state of emergency; A Madness So Discreet is set across America in the 1800s, battling patriarchy and standing up for those unlawfully sentenced to mental institutions; The Forbidden Orchid is set in Asia as a Victorian girl hunts down her father, a man in the middle of a race to find a perfect, rare orchid; The Bird and the Blade, though partially based on a folk tale, is inspired by historical events during the Mongol Empire and the Great Khan’s reign of power. There are so many more — but great YA historical fiction requires an intriguing and original premise, a general accessibility, and bringing the past to life. I would love to see historical fiction set outside the US and Western Europe!

      Contemporary Fiction || It is all about the voice for me when it comes to YA contemporary. When I read YA contemporary, I need to feel like I’m talking to my high school best friend. Teen readers can spot inauthenticity in a heartbeat, and you want to make sure you have their desires and heartbreaks in the voice of your protagonist. You’re not an adult trying to be a teen — you are a teen. That said, I am seeking fantastic rom-coms like When Dimple Met Rishi (technology camps!), Royals (royals’ sidekicks fall in love!) and Anna and the French Kiss (study abroad programs!), badass heroines like Dumplin’ (fighting against stereotypes!), and great family and friendship dynamics like Emma Mills, Morgan Matson, and Jenny Han. Perfect examples of this are my own clients Jared Reck (A Short History of the Girl Next Door) and Nina Moreno (Don’t Date Rosa Santos). I’d love to see more characters with fun and interesting jobs, unique hobbies, and (as a past drum major) more marching band narratives! I tend to lean on the lighter side of things, with hope at the end of the tunnel, rather than something dark and gritty from the get go and very little humor to carry throughout. I do like tear-jerkers, but I want that spark of hope and inspiration at the end.

      ~~~

      For a final once-over, feel free to follow my #mswl and #MSWLaesthetic on Twitter, read my Manuscript Wishlist post, follow submission guidelines, read up on Publishers Marketplace deals, and catch up on this blog once in a while to read my thoughts and reviews of published works. Every little bit helps to getting representation! Oh, and as a reminder:

      ALWAYS seeking: diversity. Race, ethnicity, gender identity, sexual orientation, ability, mentality, health, economic status, religious affiliation, all of it. The obvious shouldn’t need to be said — that I want my projects to reflect the beautiful diversity of the world, that I want to see and share with others life through another’s eyes, that I want to see these differences expressed through art and creation and culture, that these books need to be on bookshelves — but that’s the state of things. So yes, there is no question to it: I want diversity.

      ALWAYS open to queries: even during times of the year when publishing seems extra busy, or extra slow, or I’m on vacation or traveling — I am open to queries. I never close. I read every single query. It’s unfair to you as the writer to try to keep track of all the agents who are opened or closed, and (selfishly) it’s unfair to me to be closed when something truly remarkable could have been in my inbox for me to represent. SO! With that said, if I’m busy or traveling or on vacation, I’ll have an away message up with clear, simple instructions about what will happen with your query in the time I’m away. I am never closed to queries.

      NEVER seeking: anything set in space, anything set in the future, thrillers and suspense (psychological, military, legal, political, or otherwise), all nonfiction (poems, essays, memoirs, how-tos, everything nonfiction), paranormal romance, erotica. If your project uses any of these concepts to describe it, it’s an automatic no. I’m not the agent for any of these projects, so please do not send them to me.

      ~~~

      I hope this is helpful! I’m looking forward to receiving great manuscripts and selling lots in 2020!

      Posted in agenting | 2 Comments | Tagged agenting, personal
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    • Hello, I’m Laura!

      I'm a bookish bookworm and book hoarder. By day I'm a literary agent, and by night I'm forever rearranging my bookshelves. I could talk your ear off about Gothic literature, and in my past life people thought I'd become a professional musician. I have a fluffy black cat named Rossetti, I love to knit, tea is my drink of choice, British TV is the best, and I'm obsessed with popcorn. Welcome to Scribbles & Wanderlust! Grab your favorite hot beverage and let's chat books!
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